7:40 AM
Blog Fasion
- One Standard DVD + Two Additional DVDs with Special Features
- Extended Interviews
- 31 Featurettes on HIV Testing, AIDS, and more
- Behind-the-scenes
Thursday, May 10, 2012
House of Numbers Deluxe Edition
Tuesday, April 3, 2012
The Farmhouse: New Inspiration for the Classic American Home
- ISBN13: 9781561588749
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed
Farmhouses evoke nostalgic memories--real or imagined--of a simpler life and a deep, nourishing connection to the seasons and the land. While most of us don't live that way anymore, we all share a longing for the values that this classic American house form represents.
So what makes a true American farmhouse? A farmhouse is intimately connected to the land and all its seasons, dominates a community of buildings, and is built to last using natural, indigenous materials. These are the core qualities of the farmhouse style, whether old or new.
From a working farm on Martha's Vineyard to a horse ranch in Washington State, this remarkable collec! tion of 20 new and remodeled farmhouses celebrates the best American farmhouses built in the past five years. Over 300 photographs beautifully illustrate these homes, and the accompanying site and floor plans, historical sidebars, and up-close details add depth to this rich collection.
With this ground breaking book, America's quintessential house style is reinvented for the 21st-century family.
So what makes a true American farmhouse? A farmhouse is intimately connected to the land and all its seasons, dominates a community of buildings, and is built to last using natural, indigenous materials. These are the core qualities of the farmhouse style, whether old or new.
From a working farm on Martha's Vineyard to a horse ranch in Washington State, this remarkable collec! tion of 20 new and remodeled farmhouses celebrates the best American farmhouses built in the past five years. Over 300 photographs beautifully illustrate these homes, and the accompanying site and floor plans, historical sidebars, and up-close details add depth to this rich collection.
With this ground breaking book, America's quintessential house style is reinvented for the 21st-century family.
Monday, March 19, 2012
Hell's Highway - The True Story of Highway Safety Films
- HELL'S HIGHWAY (DVD MOVIE)
Tuesday, March 6, 2012
Bride of Chucky
- Actors: Jennifer Tilly, Brad Dourif, Katherine Heigl, Nick Stabile, Alexis Arquette.
- Format: Anamorphic, Closed-captioned, Color, Dolby, DVD, Widescreen, NTSC.
- Language: English (Dolby Digital 5.1), French (Dolby Digital 2.0 Surround). Subtitles: English, Spanish.
- Region: Region 1 (U.S. and Canada only)
- Rated R. Run Time: 89 minutes.
Monday, January 30, 2012
SOG Specialty Knives and Tools AU01-N Aura Camping
- Sharpener hidden in the handle
- 6-Inch straight edge 7Cr13 stainless steel blade
- Kraton rubber over molded handle with removable diamond sharpener
- Includes nylon sheath
- Overall length: 10.95-Inches; Weight: 8.6-Pounds
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 The SOG AU-01 features a sharpener conveniently stored in the back of the knife's handle. View larger. |
 The Aura is ergonomically designed for a sure grip in either the right or left hand. View larger. |
Sometimes even the best-made pocket knife just isn't big enough cut it out in the brush. That's where the AU-01 comes in. Thanks to a six-inch straight-edge blade and an overall length of 10.95 inches that lets you maximize leverage while maintaining a comfortable full-han! d grip, this fixed-blade knife makes quick work of even the to! ughest c ampsite and trailside tasks, and it's so versatile that you may just find yourself reaching for it at home too. Its blade is crafted from 7Cr13 stainless steel for an optimal balance of value, durability, and edge retention.
Portable, Ergonomic Design Ensures Easy, Comfortable Use
In designing the Aura line, SOG studied the original bowie knife created by Rezin Bowie in 1838 and brought the best of that traditional design to this contemporary knife by maximizing utility, ergonomics, and safety. For the type of sure grip that leads to safe, accurate cuts, this Aura knife's handle combines the comfort and the nonslip properties of a rubber overmolding with a tough body crafted from glass-reinforced Zytel - a compound that's lightweight, abrasion resistant, and impact resistant.
The knife is shaped to sit comfortably in either your right or your left hand, and its unique blade shape provides the same safety as other knives while eliminating the need for a clunky, ! unwieldy crossguard. Thanks to this design and these materials, this versatile fixed-blade knife weighs in at just 8.6 ounces for enhanced portability, and it is well-balanced for further enhanced comfort and control.
Integrated Sharpener Makes an Ideal Travel Partner
A sharp blade is not just a more effective blade, it's also a safer blade. And because even the most durable edges sometimes require a touch up after a tough job is completed, this innovative field knife comes with an integrated sharper, conveniently stored in the back of the knife's handle. Use it whenever and wherever you have the time to sit down and maintain your blade, and ensure that your knife is at its best the next time you reach for it.
This AU-01 Aura Fixed-Blade Camping Knife comes with a durable nylon sheath, and it is backed by a lifetime warranty that protects against defects in manufacturing and materials.
About SOG: Strong, Innovative Specialty Tools
SOG originally st! ood for Studies and Observation Group, an elite joint services! militar y group designed to handle covert operations during the Vietnam War. SOG Specialty Knives & Tools was founded in the spirit of this elite group and became the first knife manufacturer to offer an expanded line that included fixed blades, folding knives, and multipurpose tools.
Each SOG product is created by company Founder and Chief Engineer, Spencer Frazer. Known for their uncompromising style and performance, these knives and tools showcase innovation, dependability, and a unique, futuristic style that has garnered awards and recognition worldwide. SOG products have also won favor among law enforcement, military, and industrial customers that rely on their tools to perform flawlessly in the toughest, most adverse conditions.
What's in the Box
AU-01 Aura Fixed-Blade Camping Knife, enclosed sharpener, and nylon sheath.
Thursday, January 19, 2012
The Butterfly Effect: How Your Life Matters
- ISBN13: 9781404187801
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
The decisions you make and the way you treat others have more impact than you may ever realize.
Speaker and New York Times best-selling author Andy Andrews shares a compelling and powerful story about a decision one man made over a hundred years ago, and the ripple effect it's had on us individually, and nationwide, today. It's a story that will inspire courage and wisdom in the decisions we make, as well as affect the way we treat others through our lifetime. Andrews speaks over 100 times a year, and The Butterfly Effect is his #1 most requested story.Â
Also included with the purchase of the book is a link to view a 9-minute message of Andrews telling
The Good Guy
- ISBN13: 9780553589115
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
From #1 New York Times bestselling author Dean Koontz comes this pulse-pounding thriller that starts with a terrifying decision we all might face one day: Helpâ€"or run. Timothy Carrier is an ordinary guy. He enjoys a beer after work at his friend’s tavern, the eccentric customers and amusing conversations. But tonight is no ordinary night. The jittery man sitting beside him has mistaken Tim for someone elseâ€"and passes him an envelope stuffed with cash and the photo of a pretty woman. “Ten thousand now. You get the rest when she’s gone.â€
Tim Carrier always thought he knew the difference between right and wrong, g! ood and evil. But tonight everything he thought he knewâ€"even about himselfâ€"will be challenged. For Tim Carrier is at the center of a mystery of extraordinary proportions, the one man who can save an innocent life and stop a killer as relentless as evil incarnate. But first he must discover resources within himself of which he never dreamed, capacities that will transform his idea of who he is and what it takes to be . . .
Wednesday, January 18, 2012
Harry Potter and the Prisoner of Azkaban
- ISBN13: 9780439136365
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed
Now he has escaped, leaving only two clues as to where he might be headed: Harry Potter's defeat of You-Know-Who was Black's downfall as well. And the Azkban guards heard Black muttering in his sleep, "He's at Hogwarts...he's at Hogwarts."
Harry Potter isn't safe, not even within the walls of his magical school, surrounded by his friends. Because on top of it all, there may well be a traitor in their midst.For mo! st children, summer vacation is something to look forward to. But not for our 13-year-old hero, who's forced to spend his summers with an aunt, uncle, and cousin who detest him. The third book in J.K. Rowling's Harry Potter series catapults into action when the young wizard "accidentally" causes the Dursleys' dreadful visitor Aunt Marge to inflate like a monstrous balloon and drift up to the ceiling. Fearing punishment from Aunt Petunia and Uncle Vernon (and from officials at Hogwarts School of Witchcraft and Wizardry who strictly forbid students to cast spells in the nonmagic world of Muggles), Harry lunges out into the darkness with his heavy trunk and his owl Hedwig.
As it turns out, Harry isn't punished at all for his errant wizardry. Instead he is mysteriously rescued from his Muggle neighborhood and whisked off in a triple-decker, violently purple bus to spend the remaining weeks of summer in a friendly inn called the Leaky Cauldron. What H! arry has to face as he begins his third year at Hogwarts ex! plains w hy the officials let him off easily. It seems that Sirius Black--an escaped convict from the prison of Azkaban--is on the loose. Not only that, but he's after Harry Potter. But why? And why do the Dementors, the guards hired to protect him, chill Harry's very heart when others are unaffected? Once again, Rowling has created a mystery that will have children and adults cheering, not to mention standing in line for her next book. Fortunately, there are four more in the works. (Ages 9 and older) --Karin Snelson
A Good Day to be Black & Sexy
- GOOD DAY TO BE BLACK & SEXY (DVD MOVIE)
Ace Ventura Deluxe Double Feature (Pet Detective / When Nature Calls)
- Actors: Jim Carrey, Courteney Cox, Sean Young, Tone Loc, Dan Marino.
- Format: Widescreen, DVD, NTSC.
- Language: English (Dolby Digital 5.1), English (DTS 5.1). Subtitles: English, Spanish, French.
- Region: Region 1 (U.S. and Canada only).
- Rated PG-13. Run Time: 250 minutes.
DVD Features:
TV Spot
Theatrical Trailer
TV Spot
Theatrical Trailer
Ace Ventura: Pet Detective was the 1994 box-office hit that turned comedy maniac Jim Carrey into Hollywood's first $20-million man. This gag-filled! no-brainer stars Carrey as the titular rubber-faced gumshoe w! ho track s down lost pets for his heartbroken clients. Ace's latest case involves the apparent kidnapping of the Miami Dolphins' team mascot, Snowflake the dolphin (natch), and his investigation is a source of constant irritation for Miami police lieutenant Lois Einhorn (Sean Young). Friends fans will appreciate the presence of Courtney Cox, who remains admirably straight-faced as the Dolphins' publicist and Ace's would-be girlfriend, but of course it's Carrey who steals the show with shameless abandon. --Jeff Shannon
In When Nature Calls, the inevitable sequel, the disappearance of a rare African white bat, draws Ace (Carrey again) out of his spiritual retreat at a Tibetan monastery following the tragic outcome of his previous case. That traumatic experience, which makes for a hilarious opening-scene send-up of the Stallone thriller Cliffhanger, prompts Ace to venture to Africa, where he goes native with the tribe that hired him to find their symbolic! bat. From that point anything goes, with Carrey pushing the boundaries of good taste (what, you were expecting good taste?) up to and including his now-infamous "birth" scene from the backside of a mechanical rhinoceros. Lighten up, and don't be ashamed if you find yourself laughing. --Jeff Shannon
Tuesday, January 17, 2012
Professionally Framed Barnyard: The Original Party Animals Movie (On Bikes, Original) Poster Print - 11x17 with RichAndFramous Black Wood Frame
- Your professionally framed poster ships ready-to-hang!
- Premium quality RichAndFramous wood frame with 1.25 inch wide moulding.
- Lightweight, glare-reducing styrene front secures and protects artwork.
- Custom Made for years of quality enjoyment.
- Frame size approximately 12.00 by 18.00 inches for print size 11.00 by 17.00.
Dear Wendy
- Directed by Thomas Vinterberg (The Celebration) and written by Lars von Trier (Dogville), Dear Wendy is an audacious and stylish exploration of guns and violence in America. When a young loner named Dick (Jamie Bell) discovers a vintage handgun, he finds himself strangely drawn to it in spite of his pacifist views. Soon he forms a secret club with other misfits in his town who collect and revere a
Christmas in Wonderland
- Patrick Swayze Leads a Sweet Family Comedy for the Holidays!Fresh from a cross-country move and strapped for the holidays, it's turning out to be a pretty rotten holiday season for the Saunders family. Things start looking a bit more like Christmas when 12-year-old Brian and 6-year-old Mary find a hoard of cash at the local mall and launch a Yuletide shopping spree.that is, until the crooks who c
Monday, January 16, 2012
The Anti-Christ
- ISBN13: 9781936594269
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
While the ! film's p lot, marked by chapters named after stages of grief, like "Pain" and "Despair," is rooted in absolute realism, the film's glorious moments are in its fantasy. There is a talking fox, subtle hints at ghostly occurrences, and many scenes that express the uncanny. Moreover, Gainsbourg's character, obsessed with witchcraft as it relates to historical gynocide and misogyny, adds much to the film's depressing sensibility that wallows unapologetically in decrepitude and faulty, negative reasoning. Dafoe, who plays the psychologist treating his hallucination-plagued wife, does a remarkable job depicting a person struggling through loss with logic. Antichrist works because Dafoe and Gainsbourg create archetypal characters, functioning symbolically as Logic and Psychosis in a Freudian maze with no exit. That said, the violent conclusions in the film's third chapter, "Despair (Gynocide)," are grim, graphic, and very difficult to watch. Antichrist, like its sister film in ! violence portrayed artfully, Irreversible, has all the more shock value because of the archetypal symbolism it successfully establishes. --Trinie DaltonLars von Trier (Europa, Breaking the Waves, Dancer in the Dark) shook up the film world when he premiered Antichrist at the 2009 Cannes Film Festival. In this graphic psychodrama, a grief-stricken man and womanâ€"a searing Willem Dafoe (Platoon, The Last Temptation of Christ) and Cannes best actress Charlotte Gainsbourg (Jane Eyre, 21 Grams)â€"retreat to a cabin deep in the woods after the accidental death of their infant son, only to find terror and violence at the hands of nature and, ultimately, each other. But this most confrontational work yet from one of contemporary cinema’s most controversial artists is no mere provocation. It is a visually sublime, emotionally ravaging journey to the darkest corners of the possessed human mind; a disturbing battle of the sexes that pits rational psychology against ag! e-old superstition; and a profoundly effective horror film.Lar! s von Tr ier's notorious Antichrist is a fascinating and extremely gruesome experiment that combines B-horror tropes with art film concepts and cinematography to question differences between high horror and low horror, if there are such categories. Like the best of Argento, namely Suspiria, Antichrist follows a strictly formulaic, minimalist, almost operatic script structure in which the story of a couple, played by Willem Dafoe and Charlotte Gainsbourg, grieve their dead son. The highly organized story, like a poem, has ample space for metaphors to form, dwell, and transform into overgrown mysteries, such as the decadent forest, Eden, where the couple retreat to their cabin to face demons. When the camera zooms in on a flower vase's murky water on the nightstand beside a bereft Gainsbourg, one senses the ensuing downward spiral.
While the film's plot, marked by chapters named after stages of grief, like "Pain" and "Despair," is rooted in absolute realism, t! he film's glorious moments are in its fantasy. There is a talking fox, subtle hints at ghostly occurrences, and many scenes that express the uncanny. Moreover, Gainsbourg's character, obsessed with witchcraft as it relates to historical gynocide and misogyny, adds much to the film's depressing sensibility that wallows unapologetically in decrepitude and faulty, negative reasoning. Dafoe, who plays the psychologist treating his hallucination-plagued wife, does a remarkable job depicting a person struggling through loss with logic. Antichrist works because Dafoe and Gainsbourg create archetypal characters, functioning symbolically as Logic and Psychosis in a Freudian maze with no exit. That said, the violent conclusions in the film's third chapter, "Despair (Gynocide)," are grim, graphic, and very difficult to watch. Antichrist, like its sister film in violence portrayed artfully, Irreversible, has all the more shock value because of the archetypal symbol! ism it successfully establishes. --Trinie DaltonHere is! Friedri ch Nietzsche's great masterpiece The Anti-Christ, wherein Nietzsche attacks Christianity as a blight on humanity. This classic is essential reading for anyone wishing to understand Nietzsche and his place within the history of philosophy. "We should not deck out and embellish Christianity: it has waged a war to the death against this higher type of man, it has put all the deepest instincts of this type under its ban, it has developed its concept of evil, of the Evil One himself, out of these instincts-the strong man as the typical reprobate, the 'outcast among men.' Christianity has taken the part of all the weak, the low, the botched; it has made an ideal out of antagonism to all the self-preservative instincts of sound life; it has corrupted even the faculties of those natures that are intellectually most vigorous, by representing the highest intellectual values as sinful, as misleading, as full of temptation. The most lamentable example: the corruption of Pascal, who beli! eved that his intellect had been destroyed by original sin, whereas it was actually destroyed by Christianity!" -Friedrich Nietzsche
Wednesday, January 11, 2012
The Beat That My Heart Skipped
- BEAT THAT MY HEART SKIPPED, THE (DVD MOVIE)
American Beauty [VHS]
- Condition: Used - Very Good
It's an audacious start for a film that justifies that audacity. Weaving social satire, domestic tragedy, and whodunit into a single package, Alan Ball's first theatrical script dares to blur generic lines and keep us off balance, winking seamlessly from dark, scabrous comedy to deeply moving drama. The Burnham family joins the cinematic short list of great dysfunctional American families, as Lester is pitted against his manic, materialistic realtor wife, Carolyn (Annette Bening, making the most of a mostly unsympathetic role) and his sullen, contemptuous teenaged daughter, Jane (Thora Birch, utterly convincing in her edgy balance of self-absorption and wistful longing). Into their lives come two catalytic outsiders. A young cheerleader (Mena Suvari) jolts Lester into a sexual epiphany that blooms into a second adolescence. And an eerily calm young neighbor (Wes Bentley) transforms both! Lester and Jane with his canny influence.
Credit another big-screen newcomer, English theatrical director Sam Mendes, with expertly juggling these potentially disjunctive elements into a superb ensemble piece that achieves a stylized pace without lapsing into transparent self-indulgence. Mendes has shrewdly insured his success with a solid crew of stage veterans, yet he's also made an inspired discovery in Bentley, whose Ricky Fitts becomes a fulcrum for both plot and theme. Cinematographer Conrad Hall's sumptuous visual design further elevates the film, infusing the beige interiors of the Burnhams' lives with vivid bursts of deep crimson, the color of roses--and of blood. --Sam SutherlandMarking the feature film directorial debut of award-winning theatre director Sam Mendes this funny moving and shocking journey through life in suburban America follows the trials and tribulations of Lester (Kevin Spacey) and Carolyn (Annette Bening) an upper-middle class couple ! whose marriage - and lives - are slowly unraveling. Lester s w! ife hate s him his daughter Jane regards him with contempt and his boss is positioning him for the ax. So Lester decides to make a few changes in his life; the freer he gets the happier he gets which is even more maddening to his wife and daughter. But Lester is about to learn that the ultimate freedom comes at the ultimate price. Winner of five Academy Awards: Best Picture Director Actor Screenplay and Cinematography.System Requirements:Starring: Kevin Spacey Annette Bening Thora Birch Chris Cooper Peter Gallagher Mena Suvari and Wes Bentley. Directed By: Sam Mendes. Running Time: 122 Min. Color. This film is presented in "Widescreen" format. Copyright 2000 Universal Distribution Corp.Format: DVD MOVIE Genre:Â DRAMA Rating:Â R UPC:Â 667068538229 Manufacturer No:Â 65382From its first gliding aerial shot of a generic suburban street, American Beauty moves with a mesmerizing confidence and acuity epitomized by Kevin Spacey's calm narration. Spacey is Lester Burnham, a harrie! d Everyman whose midlife awakening is the spine of the story, and his very first lines hook us with their teasing fatalism--like Sunset Boulevard's Joe Gillis, Burnham tells us his story from beyond the grave.
It's an audacious start for a film that justifies that audacity. Weaving social satire, domestic tragedy, and whodunit into a single package, Alan Ball's first theatrical script dares to blur generic lines and keep us off balance, winking seamlessly from dark, scabrous comedy to deeply moving drama. The Burnham family joins the cinematic short list of great dysfunctional American families, as Lester is pitted against his manic, materialistic realtor wife, Carolyn (Annette Bening, making the most of a mostly unsympathetic role) and his sullen, contemptuous teenaged daughter, Jane (Thora Birch, utterly convincing in her edgy balance of self-absorption and wistful longing). Into their lives come two catalytic outsiders. A young cheerleader (Mena Suvari) jolts L! ester into a sexual epiphany that blooms into a second adolesc! ence. An d an eerily calm young neighbor (Wes Bentley) transforms both Lester and Jane with his canny influence.
Credit another big-screen newcomer, English theatrical director Sam Mendes, with expertly juggling these potentially disjunctive elements into a superb ensemble piece that achieves a stylized pace without lapsing into transparent self-indulgence. Mendes has shrewdly insured his success with a solid crew of stage veterans, yet he's also made an inspired discovery in Bentley, whose Ricky Fitts becomes a fulcrum for both plot and theme. Cinematographer Conrad Hall's sumptuous visual design further elevates the film, infusing the beige interiors of the Burnhams' lives with vivid bursts of deep crimson, the color of roses--and of blood. --Sam SutherlandAMERICAN BEAUTY: Noted theater director Sam Mendes, who was responsible for the acclaimed 1998 revival of Cabaret and Nicole Kidman's turn in The Blue Room, made his motion picture debut with this film about the dark si! de of an American family, and about the nature and price of beauty in a culture obsessed with outward appearances. Kevin Spacey plays Lester Burnham, a man in his mid-40s going through an intense midlife crisis; he's grown cynical and is convinced that he has no reason to go on. Lester's relationship with his wife Carolyn (Annette Bening) is not a warm one; while on the surface Carolyn strives to present the image that she's in full control of her life, inside she feels empty and desperate. Their teenage daughter Jane (Thora Birch) is constantly depressed, lacking in self-esteem, and convinced that she's unattractive. Her problems aren't helped by her best friend Angela (Mena Suvari), an aspiring model who is quite beautiful and believes that that alone makes her a worthwhile person. Jane isn't the only one who has noticed that Angela is attractive: Lester has fallen into uncontrollable lust for her, and she becomes part of his drastic plan to change his body and change his! life. Meanwhile, next door, Colonel Fitts (Chris Cooper) has ! spent a lifetime in the Marine Corps and can understand and tolerate no other way of life, which makes life difficult for his son Ricky (Wes Bentley), an aspiring filmmaker and part-time drug dealer who is obsessed with beauty, wherever and whatever it may be. THE VIRGIN SUICIDES: A dark comedy punctuated by moments of drama, The Virgin Suicides explores the emotional underpinnings of a family starting to come apart at the seams in 1970's Midwestern America. The Lisbons seem like an ordinary enough family; Father (James Woods) teaches math at a high school in Michigan, Mother (Kathleen Turner) has a strong religious faith, and they have five teenage daughters, ranging from 13-year-old Cecilia (Hannah Hall) to 17-year-old Therese (Leslie Hayman). However, the Lisbon family's sense of normalcy is shattered when Cecilia falls into a deep depression and attempts suicide. The family is shaken and Mother and Father seek the advice of psychiatrist Dr. Hornicker (Danny DeVito), who suggest! s the girls should be allowed to socialize more with boys. However, boys soon become a serious problem for Cecilia's sister Lux (Kirsten Dunst). Lux has attracted the eye of a high-school Romeo named Trip (Josh Hartnett), who assures Father of his good intentions. But Cecilia finally makes good on her decision to kill herself, throwing the Lisbons into a panic; and after attending a school dance, Trip seduces and then abandons Lux. The Lisbons pull their daughters out of school, as an emotionally frayed Mother keeps close watch over them. Meanwhile, Lux continues to attract the attentions of the local boys, and she responds with a series of clandestine sexual episodes with random partners as often as she can sneak out of the house. The debut feature from Sofia Coppola (whose father, Francis Ford Coppola, co-produced this film), The Virgin Suicides also features supporting performances from Scott Glenn and Giovanni Ribisi. The film was shown as part of the Directors Fortnigh! t series as the 1999 Cannes Film Festival.From its first glidi! ng aeria l shot of a generic suburban street, American Beauty moves with a mesmerizing confidence and acuity epitomized by Kevin Spacey's calm narration. Spacey is Lester Burnham, a harried Everyman whose midlife awakening is the spine of the story, and his very first lines hook us with their teasing fatalism--like Sunset Boulevard's Joe Gillis, Burnham tells us his story from beyond the grave.
It's an audacious start for a film that justifies that audacity. Weaving social satire, domestic tragedy, and whodunit into a single package, Alan Ball's first theatrical script dares to blur generic lines and keep us off balance, winking seamlessly from dark, scabrous comedy to deeply moving drama. The Burnham family joins the cinematic short list of great dysfunctional American families, as Lester is pitted against his manic, materialistic realtor wife, Carolyn (Annette Bening, making the most of a mostly unsympathetic role) and his sullen, contemptuous teenaged daughter, Ja! ne (Thora Birch, utterly convincing in her edgy balance of self-absorption and wistful longing). Into their lives come two catalytic outsiders. A young cheerleader (Mena Suvari) jolts Lester into a sexual epiphany that blooms into a second adolescence. And an eerily calm young neighbor (Wes Bentley) transforms both Lester and Jane with his canny influence.
Credit another big-screen newcomer, English theatrical director Sam Mendes, with expertly juggling these potentially disjunctive elements into a superb ensemble piece that achieves a stylized pace without lapsing into transparent self-indulgence. Mendes has shrewdly insured his success with a solid crew of stage veterans, yet he's also made an inspired discovery in Bentley, whose Ricky Fitts becomes a fulcrum for both plot and theme. Cinematographer Conrad Hall's sumptuous visual design further elevates the film, infusing the beige interiors of the Burnhams' lives with vivid bursts of deep crimson, the color of roses--! and of blood. --Sam SutherlandFrom its first gliding ae! rial sho t of a generic suburban street, American Beauty moves with a mesmerizing confidence and acuity epitomized by Kevin Spacey's calm narration. Spacey is Lester Burnham, a harried Everyman whose midlife awakening is the spine of the story, and his very first lines hook us with their teasing fatalism--like Sunset Boulevard's Joe Gillis, Burnham tells us his story from beyond the grave.
It's an audacious start for a film that justifies that audacity. Weaving social satire, domestic tragedy, and whodunit into a single package, Alan Ball's first theatrical script dares to blur generic lines and keep us off balance, winking seamlessly from dark, scabrous comedy to deeply moving drama. The Burnham family joins the cinematic short list of great dysfunctional American families, as Lester is pitted against his manic, materialistic realtor wife, Carolyn (Annette Bening, making the most of a mostly unsympathetic role) and his sullen, contemptuous teenaged daughter, Jane (T! hora Birch, utterly convincing in her edgy balance of self-absorption and wistful longing). Into their lives come two catalytic outsiders. A young cheerleader (Mena Suvari) jolts Lester into a sexual epiphany that blooms into a second adolescence. And an eerily calm young neighbor (Wes Bentley) transforms both Lester and Jane with his canny influence.
Credit another big-screen newcomer, English theatrical director Sam Mendes, with expertly juggling these potentially disjunctive elements into a superb ensemble piece that achieves a stylized pace without lapsing into transparent self-indulgence. Mendes has shrewdly insured his success with a solid crew of stage veterans, yet he's also made an inspired discovery in Bentley, whose Ricky Fitts becomes a fulcrum for both plot and theme. Cinematographer Conrad Hall's sumptuous visual design further elevates the film, infusing the beige interiors of the Burnhams' lives with vivid bursts of deep crimson, the color of roses--and o! f blood. --Sam SutherlandDREAMWORKS, DSL1205, pal 2+4Fr! om its f irst gliding aerial shot of a generic suburban street, American Beauty moves with a mesmerizing confidence and acuity epitomized by Kevin Spacey's calm narration. Spacey is Lester Burnham, a harried Everyman whose midlife awakening is the spine of the story, and his very first lines hook us with their teasing fatalism--like Sunset Boulevard's Joe Gillis, Burnham tells us his story from beyond the grave.
It's an audacious start for a film that justifies that audacity. Weaving social satire, domestic tragedy, and whodunit into a single package, Alan Ball's first theatrical script dares to blur generic lines and keep us off balance, winking seamlessly from dark, scabrous comedy to deeply moving drama. The Burnham family joins the cinematic short list of great dysfunctional American families, as Lester is pitted against his manic, materialistic realtor wife, Carolyn (Annette Bening, making the most of a mostly unsympathetic role) and his sullen, contemptuous tee! naged daughter, Jane (Thora Birch, utterly convincing in her edgy balance of self-absorption and wistful longing). Into their lives come two catalytic outsiders. A young cheerleader (Mena Suvari) jolts Lester into a sexual epiphany that blooms into a second adolescence. And an eerily calm young neighbor (Wes Bentley) transforms both Lester and Jane with his canny influence.
Credit another big-screen newcomer, English theatrical director Sam Mendes, with expertly juggling these potentially disjunctive elements into a superb ensemble piece that achieves a stylized pace without lapsing into transparent self-indulgence. Mendes has shrewdly insured his success with a solid crew of stage veterans, yet he's also made an inspired discovery in Bentley, whose Ricky Fitts becomes a fulcrum for both plot and theme. Cinematographer Conrad Hall's sumptuous visual design further elevates the film, infusing the beige interiors of the Burnhams' lives with vivid bursts of deep crimson, th! e color of roses--and of blood. --Sam SutherlandFrom it! s first gliding aerial shot of a generic suburban street, American Beauty moves with a mesmerizing confidence and acuity epitomized by Kevin Spacey's calm narration. Spacey is Lester Burnham, a harried Everyman whose midlife awakening is the spine of the story, and his very first lines hook us with their teasing fatalism--like Sunset Boulevard's Joe Gillis, Burnham tells us his story from beyond the grave.
It's an audacious start for a film that justifies that audacity. Weaving social satire, domestic tragedy, and whodunit into a single package, Alan Ball's first theatrical script dares to blur generic lines and keep us off balance, winking seamlessly from dark, scabrous comedy to deeply moving drama. The Burnham family joins the cinematic short list of great dysfunctional American families, as Lester is pitted against his manic, materialistic realtor wife, Carolyn (Annette Bening, making the most of a mostly unsympathetic role) and his sullen, contemptuous teenaged! daughter, Jane (Thora Birch, utterly convincing in her edgy balance of self-absorption and wistful longing). Into their lives come two catalytic outsiders. A young cheerleader (Mena Suvari) jolts Lester into a sexual epiphany that blooms into a second adolescence. And an eerily calm young neighbor (Wes Bentley) transforms both Lester and Jane with his canny influence.
Credit another big-screen newcomer, English theatrical director Sam Mendes, with expertly juggling these potentially disjunctive elements into a superb ensemble piece that achieves a stylized pace without lapsing into transparent self-indulgence. Mendes has shrewdly insured his success with a solid crew of stage veterans, yet he's also made an inspired discovery in Bentley, whose Ricky Fitts becomes a fulcrum for both plot and theme. Cinematographer Conrad Hall's sumptuous visual design further elevates the film, infusing the beige interiors of the Burnhams' lives with vivid bursts of deep crimson, the col! or of roses--and of blood. --Sam Sutherland
Falling From Grace
- ISBN13: 9781453626337
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
That is, until her new tenants, Carson Price and his six-year-old daughter Izzie, arrive on the scene and proceed to wreak havoc in her life, and her heart. And when that happens, she has not only to face her past, but the future.
Former ballerina Gracie Hart is now known as the Diva of Romance in small town Franklinville, KY. The owner of a successful, sophisticated boutique called Romantically Yours, she lives a quiet life, healing from the tragedy that took not only ballet from her, but her fiance, as well. Who would have guessed that she has no intention of ever falling in love again, no matter how loudly her biological clock keeps ticking?That is, until her new tenants, Carson Price and his six-year-old daughter Izzie, arrive on the scene and proceed to wreak havoc in her life, and her heart. And when that happens, she has not only to face her past, but the future.Former ballerina Gracie Hart is now known as the ! Diva of Romance in small town Franklinville, KY. The owner of ! a succes sful, sophisticated boutique called Romantically Yours, she lives a quiet life, healing from the tragedy that took not only ballet from her, but her fiance, as well. Who would have guessed that she has no intention of ever falling in love again, no matter how loudly her biological clock keeps ticking?
That is, until her new tenants, Carson Price and his six-year-old daughter Izzie, arrive on the scene and proceed to wreak havoc in her life, and her heart. And when that happens, she has not only to face her past, but the future.When you wake up in the morning and your eyes take in the first hints of light that shine through your window, the dust motes catching and reflecting the sun's rays like little diamonds, the shimmering hues of yellow and orangey gold breaking through into your room, the first thing you think about usually isn't how you're going to make it through the worst day of your life. Unfortunately for Grace Shelley, that's exactly what she's facing! as she ponders what to do now that she's going to be starting out her last year in high school without her best friend. She's not exactly the most popular girl in school - well, not the most popular girl in school to like, anyway - and everything seems to be hinting at another status quo year for her until she bumps into a stranger who leaves her stumbling for words and chasing after her heart. The new guy in school is different. Robert doesn't care about the rumors he's heard about her or that no one else seems to see her the same way that he does; he only wants to be her friend. That's when things get complicated. When Grace learns that he's not your typical high school boy and that he's actually a wingless angel who's looking for someone to trust, she's thrust into his world where not all angels are meant to protect human beings, and where the changes she brings into his life changes everything in hers.
Surf Ninja's , Beverly Hills Ninja : Family 2 Pack
- Widescreen
Beverly Hills Ninja is full of individual comic gags that are hilarious in their purity--call it sadistic, but sometimes it's just plain funny watching a guy unwittingly walk into a lamppost while carrying on a conversation. Farley was a master at these tried-and-true gags, which reach right back into the origins of comedy. But it's not all slapstick; a scene where Haru is so taken by dancers at a local strip bar that he joins in is reminiscent of the mud-wrestling scene from Stripes. Beverly Hills Ninja may be considered a low-brow romp, but a romp it is nonetheless. --Shannon Gee A slapstick comedy starring Chris Farley, Beverly Hills Ninja is part prop-gag movie and part testament to the late comedian's physical comedic abilities. As a baby, Haru (Farley) appeared on the coastal shores of Japan. Legend has it that a foreigner would arrive and become the great! est ninja ever, known as the "Great White Ninja." As Haru grew! , it bec ame apparent: he was not the one. But when a beautiful stranger named Sally (Nicollette Sheridan) appears at the dojo seeking a ninja's help, Haru finds his calling. Through a series of mix-ups (generally caused by Haru himself), Haru is framed for murder and he follows Sally to Beverly Hills to set things right. Finding out Sally's boyfriend is a counterfeiter and murderer, Haru with the help of hotel bellboy Joey (Chris Rock) and unknowingly with the help of his ninja brother Gobei (Robin Shou) takes down the counterfeit ring and finds his place among the ninja clan.
Beverly Hills Ninja is full of individual comic gags that are hilarious in their purity--call it sadistic, but sometimes it's just plain funny watching a guy unwittingly walk into a lamppost while carrying on a conversation. Farley was a master at these tried-and-true gags, which reach right back into the origins of comedy. But it's not all slapstick; a scene where Haru is so taken by dancers at a l! ocal strip bar that he joins in is reminiscent of the mud-wrestling scene from Stripes. Beverly Hills Ninja may be considered a low-brow romp, but a romp it is nonetheless. --Shannon Gee A slapstick comedy starring Chris Farley, Beverly Hills Ninja is part prop-gag movie and part testament to the late comedian's physical comedic abilities. As a baby, Haru (Farley) appeared on the coastal shores of Japan. Legend has it that a foreigner would arrive and become the greatest ninja ever, known as the "Great White Ninja." As Haru grew, it became apparent: he was not the one. But when a beautiful stranger named Sally (Nicollette Sheridan) appears at the dojo seeking a ninja's help, Haru finds his calling. Through a series of mix-ups (generally caused by Haru himself), Haru is framed for murder and he follows Sally to Beverly Hills to set things right. Finding out Sally's boyfriend is a counterfeiter and murderer, Haru with the help of hotel bellboy Joey! (Chris Rock) and unknowingly with the help of his ninja broth! er Gobei (Robin Shou) takes down the counterfeit ring and finds his place among the ninja clan.
Beverly Hills Ninja is full of individual comic gags that are hilarious in their purity--call it sadistic, but sometimes it's just plain funny watching a guy unwittingly walk into a lamppost while carrying on a conversation. Farley was a master at these tried-and-true gags, which reach right back into the origins of comedy. But it's not all slapstick; a scene where Haru is so taken by dancers at a local strip bar that he joins in is reminiscent of the mud-wrestling scene from Stripes. Beverly Hills Ninja may be considered a low-brow romp, but a romp it is nonetheless. --Shannon Gee Surf Ninja's , Beverly Hills Ninja : Family 2 Pack
Monday, January 9, 2012
Saturday, January 7, 2012
Get Rich Or Die Tryin
- 50 Cent - Get Rich Or Die Tr Brazil Import
Glory Road (Widescreen Edition)
- Very Black
Friday, January 6, 2012
Drive: The Surprising Truth About What Motivates Us
- ISBN13: 9781594484803
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Drawing on four decades of scientific research on human motivation, Pink exposes the mismatch between what science knows and wha! t business does-and how that affects every aspect of life. He examines the three elements of true motivation--autonomy, mastery, and purpose--and offers smart and surprising techniques for putting these into action in a unique book that will change how we think and transform how we live.
Wednesday, January 4, 2012
ATL (Full Screen Edition)
- Sometimes 17-year-old Rashad and his pals hang out at the Waffle House, trying to figure out what's next after they graduate. But on Sunday nights, they know what's coming. They'll be at the Cascade roller rink: laying down moves, chillin' with friends.and for a few hours leaving what's outside outside.ATL is a Sunday night fever of laughs, drama and crunk sounds. Video director Chris Robinson ma
DVD Features:
Deleted Scenes
Featurette
Music Video
Theatrical Trailer
