- Full Screen Edition
- Bonus Features
Critics and audiences didn't seem too happy with Back to the Future, Part II, the inventive, perhaps too! clever sequel. Director Zemeckis and cast bent over backwards! to add layers of time-travel complication, and while it surely exercises the brain it isn't necessarily funny in the same way that its predecessor was. It's well worth a visit, though, just to appreciate the imagination that went into it, particularly in a finale that has Marty watching his own actions from the first film. --Tom Keogh
Shot back-to-back with the second chapter in the trilogy, Back to the Future, Part III is less hectic than that film and has the same sweet spirit of the first, albeit in a whole new setting. This time, Marty ends up in the Old West of 1885, trying to prevent the death of mad scientist Christopher Lloyd at the hands of gunman Buford "Mad Dog" Tannen (Thomas F. Wilson, who had a recurring role as the bully Biff). Director Zemeckis successfully blends exciting special effects with the traditions of a Western and comes up with something original and fun. --Tom KeoghFrom the Academy Award-winning filmmakers Steven Spielberg and Rob! ert Zemeckis comes Back to the Future - the original, groundbreaking adventure that sparked one of the most successful trilogies ever! When teenager Marty McFly (Michael J. Fox) is blasted to 1955 in the DeLorean time machine created by the eccentric Doc Brown (Christopher Lloyd), he finds himself mixed up in a time-shattering chain reaction that could vaporize his future - and leave him trapped in the past. Powered by innovative special effects, unforgettable songs and non-stop action, Back to the Future is an unrivaled adventure that stands the test of time. Starring: Michael J. Fox, Christopher Lloyd, Lea Thompson, Thomas F. Wilson, Crispin Glover, Claudia Wells, Billy Zane, Casey Siemaszko Directed by: Robert ZemeckisDr. Emmett Brown: Then tell me, "future boy," who is president in the United States in 1985?
Marty McFly: Ronald Reagan.
Dr. Brown: Ronald Reagan? The actor?! Who's vice president? Jerry Lewis?
Filmmaker Robert Zemeckis topped his break! away hit Romancing the Stone with this joyous comedy wi! th a daz zling hook: what would it be like to meet your parents in their youth? Billed as a special-effects comedy, the imaginative film (the top box-office smash of 1985) has staying power because of the heart behind Zemeckis and Bob Gale's script. High schooler Marty McFly (Michael J. Fox, during the height of his TV success) is catapulted back to the '50s where he sees his parents in their teens, and accidentally changes the history of how Mom and Dad met. Filled with the humorous ideology of the '50s, filtered through the knowledge of the '80s (actor Ronald Reagan is president, ha!), the film comes off as a Twilight Zone episode written by Preston Sturges. Filled with memorable effects and two wonderfully off-key, perfectly cast performances: Christopher Lloyd as the crazy scientist who builds the time machine (a DeLorean luxury car) and Crispin Glover as Marty's geeky dad. Followed by two sequels. --Doug ThomasExperience one of the most popular movie series of all ! time like never before with the Back to the Future 25th Anniversary Trilogy! Join Marty McFly (Michael J. Fox), Doc Brown (Christopher Lloyd) and a time traveling DeLorean for the adventure of a lifetime as they travel to the past, present and future, setting off a time-shattering chain reaction that disrupts the space time continuum! From filmmakers Steven Spielberg, Robert Zemeckis and Bob Gale, these timeless films feature all-new 25th Anniversary restorations for enhanced picture and sound plus hours of exciting bonus features.Filmmaker Robert Zemeckis topped his breakaway hit Romancing the Stone with Back to the Future, a joyous comedy with a dazzling hook: what would it be like to meet your parents in their youth? Billed as a special-effects comedy, the imaginative film (the top box-office smash of 1985) has staying power because of the heart behind Zemeckis and Bob Gale's script. High schooler Marty McFly (Michael J. Fox, during the height of his TV suc! cess) is catapulted back to the '50s where he sees his parents! in thei r teens, and accidentally changes the history of how Mom and Dad met. Filled with the humorous ideology of the '50s, filtered through the knowledge of the '80s (actor Ronald Reagan is president, ha!), the film comes off as a Twilight Zone episode written by Preston Sturges. Filled with memorable effects and two wonderfully off-key, perfectly cast performances: Christopher Lloyd as the crazy scientist who builds the time machine (a DeLorean luxury car) and Crispin Glover as Marty's geeky dad. --Doug Thomas
Critics and audiences didn't seem too happy with Back to the Future, Part II, the inventive, perhaps too clever sequel. Director Zemeckis and cast bent over backwards to add layers of time-travel complication, and while it surely exercises the brain it isn't necessarily funny in the same way that its predecessor was. It's well worth a visit, though, just to appreciate the imagination that went into it, particularly in a finale that has Marty watching! his own actions from the first film. --Tom Keogh
Shot back-to-back with the second chapter in the trilogy, Back to the Future, Part III is less hectic than that film and has the same sweet spirit of the first, albeit in a whole new setting. This time, Marty ends up in the Old West of 1885, trying to prevent the death of mad scientist Christopher Lloyd at the hands of gunman Buford "Mad Dog" Tannen (Thomas F. Wilson, who had a recurring role as the bully Biff). Director Zemeckis successfully blends exciting special effects with the traditions of a Western and comes up with something original and fun. --Tom KeoghExperience theiComplete Trilogy!Presented by Steven Spielberg directed by Oscar® winner Robert Zemeckis and starring time travelers Michael J. Fox and Christopher Lloyd the phenomenally popular Back To The Future films literally changed the future of the adventure movie genre. Now this unprecedented Back To The Future DVD Trilogy immerses you! in all the breathtaking action outrageous comedy and sheer mo! viemakin g magic of one of the most brilliantly inventive wildly entertaining motion picture triumphs in Hollywood history!System Requirements:Starring: Michael J. Fox Christopher Lloyd Crispin Glover Elisabeth Shue and Lea Thompson. Directed By: Robert Zemeckis. Running Time: 344 Min. (Total) Color. These films are presented in "Widescreen" format. Copyright 2002 Universal.Format: DVD MOVIE Genre: COMEDY Rating: PG UPC: 025192212123 Manufacturer No: 61022121Filmmaker Robert Zemeckis topped his breakaway hit Romancing the Stone with Back to the Future, a joyous comedy with a dazzling hook: what would it be like to meet your parents in their youth? Billed as a special-effects comedy, the imaginative film (the top box-office smash of 1985) has staying power because of the heart behind Zemeckis and Bob Gale's script. High schooler Marty McFly (Michael J. Fox, during the height of his TV success) is catapulted back to the '50s where he sees his parents in their teen! s, and accidentally changes the history of how Mom and Dad met. Filled with the humorous ideology of the '50s, filtered through the knowledge of the '80s (actor Ronald Reagan is president, ha!), the film comes off as a Twilight Zone episode written by Preston Sturges. Filled with memorable effects and two wonderfully off-key, perfectly cast performances: Christopher Lloyd as the crazy scientist who builds the time machine (a DeLorean luxury car) and Crispin Glover as Marty's geeky dad. --Doug Thomas
Critics and audiences didn't seem too happy with Back to the Future, Part II, the inventive, perhaps too clever sequel. Director Zemeckis and cast bent over backwards to add layers of time-travel complication, and while it surely exercises the brain it isn't necessarily funny in the same way that its predecessor was. It's well worth a visit, though, just to appreciate the imagination that went into it, particularly in a finale that has Marty watching his ! own actions from the first film. --Tom Keogh
Shot ba! ck-to-ba ck with the second chapter in the trilogy, Back to the Future, Part III is less hectic than that film and has the same sweet spirit of the first, albeit in a whole new setting. This time, Marty ends up in the Old West of 1885, trying to prevent the death of mad scientist Christopher Lloyd at the hands of gunman Buford "Mad Dog" Tannen (Thomas F. Wilson, who had a recurring role as the bully Biff). Director Zemeckis successfully blends exciting special effects with the traditions of a Western and comes up with something original and fun. --Tom Keogh
For a few moments on a moonlit balcony, Nicole Beaumont was just a beautiful woman catching the eye of the handsome Lord Devlinâ"but she knew the illusion couldn't last. If the enigmatic aristocrat knew her secret, he'd realize that her disability left her unfit for love. So who could blame her for hiding the truth a little longer?
Devlin had never met a woman like Nicole. Her unique combination of innocence and wisdom left him utterly intrigued. Yet what was she hiding? For a man who did not trust easily, discovering her secret was devastating. Overcoming their pasts and forging a future would take faith, forgiveness and trust. And second chances could lead to new beginn! ingsâ¦You were living it up with Louis XVI and Marie Antoinette, and then the tides turned. Now the king and queen have lost their heads and you're stuck in a filthy jail without a morsel of pate to eat. Quelle horreur! Could anything be worse?
By the author of the acclaimed The Rise and Fall of the British Empire comes a "grand tour of the lives and impact of this truly remarkable breed." (The Washington Times)
Aristocracy means "rule by the best." For nine hundred years, the British aristocracy has considered itself ideally qualified to rule others, make laws, and guide the fortunes of the nation. Tracing the history of this remarkable supremacy, Aristocrats is a story of civil wars, conquests, intrigue, chicanery, and extremes of both selflessness and greed.Â
Lawrence James also illuminates how the aristocracy's infatuation with classical art has forged English heritage, how its love of sport has shaped its pastimes and value! s, and how its scandals have entertained the public.
Imp! eccably researched, balanced, and brilliantly entertaining, Aristocrats is an enthralling history of power, influence, and an extraordinary knack for survival.
All accusations that the Earl of Treyford acknowledges with pride. The scandalous son of a disgraced mother, he has no time for the pretty niceties of the ton, nor the simpering debutantes who populate its ballrooms.
He has returned to England to aid an "aging" spinster facing a! n undefined danger. But Miss Latimer's dark and sultry beauty, her fascinating mix of knowledge and innocence, arouse far more than his protective instincts.
Can such an improper aristocrat learn to be the true gentleman Miss Latimer deserves?
Handsome English aristocrat Lord Simon Morton-Blake is reluctant to get involved with anyone on his visit to Australia--especially a single mother like Kate Petherbridge! But Simon can't deny his attraction to vivacious Kate, or refuse her offer of a place to stay.
Thrown into the middle of Kate's lively family, Simon finds his buttoned-up manner slowly undone. A happy family isn't something Simon's known before, but he's starting to realize there's one ready-made, just for him....
Each sister's defining characteristics shine through her letters, portraits, and Tillyard's terrific storytelling. Caroline, the eldest, is deeply pessimistic, intell! igent, and moral but fascinated by and attracted to "wickedness" (she eloped with the naughty-but-nice Henry Fox and lived happily ever after). Emily: beautiful, loving, dictatorial, and unbelievably fertile (22 children, 10 of whom survived into adulthood). Louisa was good, gentle, always unwilling to believe ill of anyone, and when she died, was mourned not only by family and friends, but also by the whole of the Irish town in which she lived. And Sarah--flighty, flirtatious Sarah, with whom the young King George III fell blushingly and tongue-tiedly in love. Who, after disgracing herself and her dull, uninterested husband with the moody younger brother of Lord Gordon (of Gordon riots fame), finally found happiness and respectability, in her late 30s, with an understanding soldier. Unmissable. --Lisa Gee, Amazon.co.uk This book provides an in-depth account of the process of transformation from the curfewed city of the Tang period to the open city of the Song. It a! nalyzes the multi-dimensional factors that gradually led to th! e develo pment of an urban culture which in turn helped cement the trend towards the open city in China with its irregular layout and distinct urban features.
The English aristocrat...
Blue-blooded millionaire Rafe Holden needed a wife, one who would agree to a loveless marriage. And he had a most suitable candidate in mind...
The wrong twin...
But she had an identical twin sister. Karyn aroused the kind of desire in Rafe that he'd been hoping to avoid....
Or the right bride?
Rafe was no stranger to making ruthless choices. So would he decide to risk more than a marriage in name only, and take Karyn as his arranged bride?
DVD Features:
Featurette:On the Set of Elephant: "Rolling Through Time"
Full Screen Version
TV Spot:HBO Films Spot
Theatrical Trailer
What if the hottest guy in the world was hiding a nameless evil, and all he wanted was you?
At the start of this heart-pounding new installment of the bestsellin! g House of Night series, Zoeyâs friends have her back again and Stevie Rae and the red fledglings arenât Neferetâs secrets any longer. But an unexpected danger has emerged. Neferet guards her powerful new consort, Kalona, and no one at the House of Night seems to understand the threat he poses. Kalona looks gorgeous, and he has the House of Night under his spell. A past life holds the key to breaking his rapidly spreading influence, but what if this past life shows Zoey secrets she doesnât want to hear and truths she canât face?
On the run and holed up in Tulsaâs Prohibition-era tunnels, Zoey and her gang must discover a way to deal with something that might bring them all down. Meanwhile, Zoey has a few other little problems. The red fledglings have cleaned up well â" theyâve even managed to make the dark, creepy tunnels feel more like home â" but are they really as friendly as they seem? On the boyfriend front, Zoey has a chance to make thi! ngs right with super-hot ex-, Erik, but she canât stop think! ing abou t Stark, the archer who died in her arms after one unforgettable night, and she is driven to try to save him from Neferetâs sinister influence at all costs. Will anyone believe the power evil has to hide among us?
Dare to enter the House of Night: WWW.HOUSEOFNIGHTSERIES.COM
At the start of this heart-pounding new installment of the bestselling House of Night series, Zoey's friends have her back again and Stevie Rae and the red fledglings aren't Neferet's secrets any longer. But an unexpected danger has emerged. Neferet guards her powerful new consort, Kalona, and no one at the House of Night seems to understand the threat he poses. Kalona looks gorgeous, and he has the House of Night under his spell. A past life holds the key to breaking his rapidly spreading influence, but what if this past life shows Zoey secrets she does! n't want to hear and truths she can't face?
On the run and holed up in Tulsa's Prohibition-era tunnels, Zoey and her gang must discover a way to deal with something that might bring them all down. Meanwhile, Zoey has a few other little problems. The red fledglings have cleaned up well--they've even managed to make the dark, creepy tunnels feel more like home--but are they really as friendly as they seem? On the boyfriend front, Zoey has a chance to make things right with super-hot ex-, Eric, but she can't stop thinking about Stark, the archer who died in her arms after one unforgettable night, and she is driven to try to save him from Neferet's sinister influence at all costs. Will anyone believe the power evil has to hide among us?
Amazon.com: Why vampyres? What was intriguing to you about them? (Also, why "y"?)
P.C. Cast: Actually, the idea for the series origi! nated with my fabulous agent, Meredith Bernstein. We were at R! WA [Roma nce Writers of America] Nationals in Reno several years ago and Meredith said she had an idea for a series she'd like to see me write. Then she said the three magic words: vampire finishing school. I instantly thought of YA because I'd been reading the Hawksong books by Amelia Atwater-Rhodes--so my head was already in YA. Also, I've been teaching high school English since 1993 (I'm from a family of teachers) so I definitely knew my audience. Basically, it sounded like fun to write, so I jumped in even though I'd only written fantasy and paranormal romance up until then.
Oh, and the spelling is just my choice 'cause I like the way it looks!
Amazon.com: I don't want to draw too many comparisons between your! series and Twilight, because they are completely different types of stories. However, I am curious if the popularity of that series has changed the way you see your genre, or do you even see it being the same genre?
PC: I see my genre as YA, and to me that encompasses everyone from Rowling to Laurie Halse Anderson to Janice Erlbaum. So, yes, Twilight fits in the same genre. And while I enjoy Ms. Meyer's books very much, I think the genre has been growing and changing and gaining popularity steadily over the past decade--mostly thanks to Ms. Rowling! As a high school English teacher I certainly noticed the increase in sophistication and popularity of the genre some time ago. Today's YA has an incredible range and depth, and it deals with real coming of age issues in varied and interesting ways. I'm proud to be a member of the ranks of YA authors!
Amazon.com: Can you talk a little bit about the r! ole that religion plays in the novels? The whole series revolv! es aroun d the worship of Nyx, the Goddess of Night, and Hunted really digs into questions of faith and free will (often related to what guy Zoey will be drawn to next...very clever to make that her weakness!). At various points in the series you also have People of Faith, Catholic nuns, and Cherokee legend. How do you see all these elements working together?
PC: Very clever of you to recognize the ramifications of Zoey's weakness!
It's easy for me to weave the different religious elements of the world together because it's not really "religion" I'm dealing with when I create the conflicts and faith foundations in the House of Night. Instead I see it as a way to illuminate coming of age issues, which often deal with conformity and obsession and trying to learn boundaries. I chose to give my heroine a belief system in which to live that is matriarchal because my purpose is to empower young women, and by allowing Zoey to join a world where ! women are valued as leaders and really have no glass ceiling, except the ones they create for themselves, as exemplified by Neferet, I have a springboard for a lot of girl power.
Amazon.com: What were some of your influences for the House of Night school?
PC: South Intermediate High School in Broken Arrow, Oklahoma! I just looked around me and wrote what I saw. I also write what I wish I could see, as in the amazing HoN facility and their very cool classes. I'd love to teach a Vampyre Sociology class!
Amazon.com: How has Kristin being in school affected the series as it's progressed? The scenes with friends hanging out and geeking out on movies in the dorm seem pretty familiar...
PC: When the series started Kristin was nineteen and was still living at home her first semester in college. And then when she did move out it certainly wasn't into a dorm that looked as ! cool as the House of Night dorms! But she does DEFINITELY geek! out wit h her friends. (She's going to kill me for thatâ¦)
Amazon.com: When did the two of you decide to write a book together? How does your writing process work?
PC: I brought Kristin in while I was writing the first three chapters of Marked. I kept stumbling over silly little things, like specific slang that I thought I knew, but found out once I started writing about teenagers that MY deeply buried inner teen from the 70's kept trying to resurface and butt in with her slang! Kristin keeps me straight about that. She also says she keeps Zoey from "sounding like a 40-something disgruntled school teacher." Sigh.
We're on book six of the series, and we have the process down. We do some brainstorming, then I write the first draft, often asking Kristin questions right in the manuscript or leaving blanks for her to fill in. Then I send the entire thing to her, and she goes through it, answering questions, fil! ling in blanks, and asking me questions/making comments of her own. She sends it back to me and I go through it again. Then it's ready to go to St. Martin's and our lovely editor, Jennifer Weis. It sounds like a tedious process, but it's really very freeing for me. I can write whatever and know Kristin has my back.
Amazon.com: Zoey has a few mother-daughter-like relationships--with her mom, her grandma, Neferet, Nyx. How much does your mother-daughter relationship inform your writing? Is it ever awkward?
PC: Hmm...that's a good question. Kristin and I have a unique writing relationship. Actually, I probably wouldn't even consider writing with anyone else--it's unusually easy with my daughter (perhaps because I can beat her?). She and I have always been close, and we have a very honest relationship. Talking with each other has never been a problem, so we're used to communicating. That helps a lot in a co-author situation.!
Regarding the mother-daughter relationships in the ! book: cl early Zoey's relationship with her own mom is nothing like Kristin and mine. Sadly, both of us have met many Linda Heffers here in Oklahoma, which is why she is so easy--and disturbing--for us to write. When I write Nyx's words I often think about how I feel about Kristin, and then try to expand that to how this goddess would view the vampyres, especially Zoey, as her children.
We get the awkward question often because of the sexual tension in the books. Kristin and I do discuss the temperature of the books and the specific situations a lot. It doesn't feel awkward between us because we're used to communicating, and because we don't just stick sex in our series to be gratuitous. The sexual issues are there because they're realistic to teenagers. Yes, Zoey has several boyfriends--often at the same time. But in six books she has had sex once, and that was because she was manipulated and used by a charismatic adult. It wasn't awkward writing those parts with my daught! er--we believe in the reality of the books and the points we make about mistakes and consequences.
Amazon.com: Each of the books sort of has its own personality. Chosen, for example, was more focused on the friends and the guys, and Untamed was much more deeply focused on folklore and goddess rituals. Do you think that's influenced by each of your interests, with Kristin having more influence on one book and P.C. showing up more in another? Or is that just the natural arc of the story?
PC: I think the shifting emphasis is because of the natural arc of the story. Think about your own life. Doesn't your focus shift from time to time? I know mine does. Actually, sometimes it feels like events happen in waves: lots of guy, no guys, friend stres, no friend stress, crazy stuff at school, kinda calm school, etc. So I guess fiction is just mimicking the patterns I see in life.
Amazon.com: Even though it has a satisfying ending (no spoilers!)! Hun ted certainly doesn't seem like the end of Zoey's story. What's next?
PC: Zoey has to save the world! And it's definitely a big job. Seriously, now that the dark influences that have been lurking on the periphery of Zoey's world have been brought out into the open, it's time to deal with them. Of course that's a lot harder than "Okay, Z, kick their butts and save the world now!" sounds. Especially as there are many layers to the House of Night world and often good appears bad, and bad seems terribly attractive.
What if the hottest guy in the world was hiding a nameless evil, and all he wanted was you?
At the start of this heart-pounding new installment of the bestselling House of Night series, Zoeyâs friends have her back again and Stevie Rae and the red fledglings arenât Neferetâs secrets any longer. But an unexpected danger has emerged. Neferet ! guards her powerful new consort, Kalona, and no one at the House of Night seems to understand the threat he poses. Kalona looks gorgeous, and he has the House of Night under his spell. A past life holds the key to breaking his rapidly spreading influence, but what if this past life shows Zoey secrets she doesnât want to hear and truths she canât face?
On the run and holed up in Tulsaâs Prohibition-era tunnels, Zoey and her gang must discover a way to deal with something that might bring them all down. Meanwhile, Zoey has a few other little problems. The red fledglings have cleaned up well â" theyâve even managed to make the dark, creepy tunnels feel more like home â" but are they really as friendly as they seem? On the boyfriend front, Zoey has a chance to make things right with super-hot ex-, Erik, but she canât stop thinking about Stark, the archer who died in her arms after one unforgettable night, and she is driven to try to save him from Nefer! etâs sinister influence at all costs. Will anyone believe ! the powe r evil has to hide among us?
Dare to enter the House of Night: WWW.HOUSEOFNIGHTSERIES.COM
Bruckheimer, the action genius behind the likes of the Pirates of the Caribbean, Con Air, The Rock, Armageddon, and many more, here teams with visual effects maestro Hoyt Yeatman, who writes and directs. The combo is potent, and the fact that they str! eamed their blow-'em-up vision through a film about tiny roden! ts savin g the world makes the whole confection a hilarious family-friendly experience as well as a satisfying action adventure. The premise isn't earth-shattering: oddball, unexpected heroes are called on to save the day (Men in Black, Underdog, etc.). But the lowly guinea pig has been long overdue to get its moment in the spotlight. And now the free world knows whom it can really trust. The film mixes the animated heroes with real-life actors, including the sardonic British character actor Bill Nighy, who plays an evil mogul out to take over and/or destroy the world. The U.S. government, it turns out, has been nurturing a special squad for occasions just such as this. It's just that it's been nurturing them in small pens with wood shavings on the floor and running wheels for exercise. Will Arnett, deadpan and spot-on, plays the human agent who has the unenviable task of wrangling the guinea pig G-Force, and is a deft foil for the bad guys as well as for the mini-h! eroes.
But the true powerhouse acting belongs to those giving voices to the guinea pig agents, including Sam Rockwell, Penélope Cruz, Steve Buscemi, and, as the voice of a domesticated layabout, Jon Favreau. The film's standout, though, is Tracy Morgan, whose Agent Blaster is bellicose, fearless, and as full of malapropisms as Morgan's character on 30 Rock. (In fact, the viewer keeps half-expecting Blaster to turn to Cruz's female agent, Juarez, and yell "Liz Lemon!") G-Force is full of belly laughs for kids, as well as their action-film-fan parents. --A.T. Hurley
Stills from G-Force (Click for larger image)