NCAA Georgia Bulldogs Adult Comfy Throw, Officially LIcensed Blanket with Sleeves by Northwest "Repeat" Design

• 48 x 71 Inch
• 100% Polyester
• Machine Washable

Visit Georgia in a way most travelers don’t with this handy guide written by a passionate Georgian native as he leads you through Georgia’s byways and hidden treasures.  Eight maps and twelve black-and-white illustrations complement his commentary.

NCAA Georgia Bulldogs Adult Comfy Throw Blanket with Sleeves

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Gomorrah: A Personal Journey into the Violent International Empire of Naples' Organized Crime System

• ISBN13: 9780312427795
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

A New York Times Notable Book of the Year



A groundbreaking, unprecedented bestseller in Italy, Roberto Saviano's insider account traces the decline of the city of Naples under the rule of the Camorra, an organized crime network more powerful and violent than the Mafia. The Camorra is an elaborate, international system dealing in drugs, high fashion, construction, and toxic waste, and its influence has entirely transformed life in Campania, the province surrounding Naples. 

Since seeing his first murder victim, at thirteen, Roberto Saviano has watched the changes in his home city. For Gomorrah, he disappeared into! the Camorra and witnessed at close range its audacious, sophisticated, and far-reaching corruption that has paralyzed his home city and introduced the world to a new breed of organized crime.

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Objectified

• OBJECTIFIED (DVD MOVIE)

I Want My MTV. Think Small. Just Do It. Got Milk? Where do these phrases come from? ART & COPY introduces the cultural visionaries who revolutionized advertising during the industry s golden age in the 1960s by creating slogans to live by and ads we all remember. You may have never heard of them, but pop pioneers Lee Clow, Hal Riney, George Lois, Mary Wells, Jeff Goodby, Rich Silverstein, Phyllis K. Robinson, Dan Wieden, and David Kennedy have changed the way we eat, work, shop, and communicate often in ways we don t even realize. From the introduction of the Volkswagen to America to the triumph of Apple Computers, ART & COPY explores the most successful and influential advertising campaigns of the 20th century, and the creative minds that launched them.Objectified is a feature-length documentary about our complex relationship with manufactured objects and, by extens! ion, the people who design them. In his second film, director Gary Hustwit (Helvetica) documents the creative processes of some of the world's most influential product designers, and looks at the creativity at work behind everything from toothbrushes to tech gadgets. What can we learn about who we are, and who we want to be, from the objects with which we surround ourselves?

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Before the Devil Knows You're Dead Poster Movie German D 11x17 Philip Seymour Hoffman Ethan Hawke

• Approx. Size: 11 x 17 Inches - 28cm x 44cm
• Size is provided by the manufacturer and may not be exact
• The Amazon image in this listing is a digital scan of the poster that you will receive
• Before the Devil Knows You're Dead 11 x 17 Inches German Style D Mini Poster
• Packaged with care and shipped in sturdy reinforced packing material

Master filmmaker Sidney Lumet directs this absorbing suspense thriller about a family facing the worst enemy of all itself. Oscar®-winner Philip Seymour Hoffman plays Andy, an overextended broker who lures his younger brother, Hank (Ethan Hawke) into a larcenous scheme: the pair will rob a suburban mom-and-pop jewelry store that appears to be the quintessential easy target. The problem is, the store owners are Andy and Hank s actual mom and pop and, when the seemingly perfect crime goes awry, the damage lands right at their doorstep! . Oscar-winner Marisa Tomei plays Andy s trophy wife, who is having a clandestine affair with Hank. The stellar cast also includes Albert Finney as the family patriarch who pursues justice at all costs, completely unaware that the culprits he is hunting are his own sons. A classy, classic heist-gone-wrong drama in the tradition of The Killing and Lumet s own The Anderson Tapes, BEFORE THE DEVIL KNOW YOU RE DEAD is smart enough to know that we often have the most to fear from those who are near and dear.Sidney Lumet’s Before the Devil Knows You’re Dead is an exceptionally dark story about a crime gone wrong and the complicated reasons behind it. Philip Seymour Hoffman and Ethan Hawke are outstanding as brothers whose mutual love-hate relationship subtly colors their agreement to rob their own parents’ jewelry store, and more explicitly affects the anxious aftermath of their villainy when their mother (Rosemary Harris) ends up shot. Hoffman’s steely, emotionall! y locked-up Andy, despite pulling down six figures as a corpor! ate exec utive, is supporting an expensive drug habit while trying to leave the country with his depressed wife, Gina (Marisa Tomei). Hank (Hawke), a whipped dog of low intelligence, owes back alimony and child support to his ex-spouse. Both men need money and agree to rip off their parents' business, a decision that goes awry and puts both men in various kinds of jeopardy while their mother remains comatose and their father (Albert Finney) lurches along trying to make sense of anything. Writer Kelly Masterson's screenplay employs a perhaps now-overly-familiar time-shifting tactic, jumping around the chronology of the story's events and replaying scenes from different vantage points. The effect is a little tedious but successfully deconstructs the film's drama in a way that shows how such terrible events are directly linked to family dysfunction, old wounds between parent and child, between siblings, that fester into full-blown tragedy. Eighty-three-year-old director Lumet (Serpic! o) employs bleached colors and scenes of blunt sexuality and violence, adding to the moral rudderlessness and banality of this airless world. If Devil feels a little reductive and insistently grim, it is also a generally persuasive work by an old master. --Tom KeoghMaster filmmaker Sidney Lumet directs this absorbing suspense thriller about a family facing the worst enemy of all itself. Oscar®-winner Philip Seymour Hoffman plays Andy, an overextended broker who lures his younger brother, Hank (Ethan Hawke) into a larcenous scheme: the pair will rob a suburban mom-and-pop jewelry store that appears to be the quintessential easy target. The problem is, the store owners are Andy and Hank s actual mom and pop and, when the seemingly perfect crime goes awry, the damage lands right at their doorstep. Oscar-winner Marisa Tomei plays Andy s trophy wife, who is having a clandestine affair with Hank. The stellar cast also includes Albert Finney as the family patria! rch who pursues justice at all costs, completely unaware that ! the culp rits he is hunting are his own sons. A classy, classic heist-gone-wrong drama in the tradition of The Killing and Lumet s own The Anderson Tapes, BEFORE THE DEVIL KNOW YOU RE DEAD is smart enough to know that we often have the most to fear from those who are near and dear.Sidney Lumet’s Before the Devil Knows You’re Dead is an exceptionally dark story about a crime gone wrong and the complicated reasons behind it. Philip Seymour Hoffman and Ethan Hawke are outstanding as brothers whose mutual love-hate relationship subtly colors their agreement to rob their own parents’ jewelry store, and more explicitly affects the anxious aftermath of their villainy when their mother (Rosemary Harris) ends up shot. Hoffman’s steely, emotionally locked-up Andy, despite pulling down six figures as a corporate executive, is supporting an expensive drug habit while trying to leave the country with his depressed wife, Gina (Marisa Tomei). Hank (Hawke), a whipped dog of low intell! igence, owes back alimony and child support to his ex-spouse. Both men need money and agree to rip off their parents' business, a decision that goes awry and puts both men in various kinds of jeopardy while their mother remains comatose and their father (Albert Finney) lurches along trying to make sense of anything. Writer Kelly Masterson's screenplay employs a perhaps now-overly-familiar time-shifting tactic, jumping around the chronology of the story's events and replaying scenes from different vantage points. The effect is a little tedious but successfully deconstructs the film's drama in a way that shows how such terrible events are directly linked to family dysfunction, old wounds between parent and child, between siblings, that fester into full-blown tragedy. Eighty-three-year-old director Lumet (Serpico) employs bleached colors and scenes of blunt sexuality and violence, adding to the moral rudderlessness and banality of this airless world. If Devil fee! ls a little reductive and insistently grim, it is also a gener! ally per suasive work by an old master. --Tom Keogh

In the full-throttle, noir-soaked tradition of Dennis Lehane and Michael Connelly, the acclaimed young author of Bad Connection unleashes an ambitious and edgy new thriller pulsating with raw, urban energy.

Decorated NYPD Officer John Coglin always thought his picture on the front page of the newspaper would be one for the scrapbook.

That was before he had the bad luck to be forced into a witness-free, kill-or-be-killed confrontation with a drug-dealing thug. It's of no help to him that the incident took place during the run-up to a bitter mayoral election campaign, and that his adversary was sixteen years old and black.

Now, instead of another commendation, Coglin is staring down the barrel of a media- and politics-stoked murder rap.

But on the eve of his sure conviction arrives a fateful telephone call.

It's not the governor, but his long-lost uncle, Aidan O'Connell.

A veteran of the IRA an! d a recently released guest of San Quentin Penitentiary for armed-to-the-teeth robbery, Aidan offers his nephew a pardon that has nothing to do with lawyers.

Coglin is about to find out that the type of amnesty Uncle Aidan is proposing is the kind that involves a beautiful but dangerous Mafia widow, a car trunk full of M-16s, and thirty million dollars in jewels smack dab in the middle of Rockefeller Center.

Before the Devil Knows You're Dead is a highly entertaining, deliciously gritty, super-fast thriller that takes us on a cutthroat ride into an urban realm where criminal intent collides head-on with the vagaries of fate and the inscrutabilities of the human heart.In the full-throttle, noir-soaked tradition of Dennis Lehane and Michael Connelly, the acclaimed young author of Bad Connection unleashes an ambitious and edgy new thriller pulsating with raw, urban energy.

Decorated NYPD Officer John Coglin always thought his picture on the front page! of the newspaper would be one for the scrapbook.

That was! before he had the bad luck to be forced into a witness-free, kill-or-be-killed confrontation with a drug-dealing thug. It's of no help to him that the incident took place during the run-up to a bitter mayoral election campaign, and that his adversary was sixteen years old and black.

Now, instead of another commendation, Coglin is staring down the barrel of a media- and politics-stoked murder rap.

But on the eve of his sure conviction arrives a fateful telephone call.

It's not the governor, but his long-lost uncle, Aidan O'Connell.

A veteran of the IRA and a recently released guest of San Quentin Penitentiary for armed-to-the-teeth robbery, Aidan offers his nephew a pardon that has nothing to do with lawyers.

Coglin is about to find out that the type of amnesty Uncle Aidan is proposing is the kind that involves a beautiful but dangerous Mafia widow, a car trunk full of M-16s, and thirty million dollars in jewels smack dab in the middle of Rockefeller Center.

! Before the Devil Knows You're Dead is a highly entertaining, deliciously gritty, super-fast thriller that takes us on a cutthroat ride into an urban realm where criminal intent collides head-on with the vagaries of fate and the inscrutabilities of the human heart.In the full-throttle, noir-soaked tradition of Dennis Lehane and Michael Connelly, the acclaimed young author of Bad Connection unleashes an ambitious and edgy new thriller pulsating with raw, urban energy.

Decorated NYPD Officer John Coglin always thought his picture on the front page of the newspaper would be one for the scrapbook.

That was before he had the bad luck to be forced into a witness-free, kill-or-be-killed confrontation with a drug-dealing thug. It's of no help to him that the incident took place during the run-up to a bitter mayoral election campaign, and that his adversary was sixteen years old and black.

Now, instead of another commendation, Coglin is staring down the barr! el of a media- and politics-stoked murder rap.

But on the ! eve of h is sure conviction arrives a fateful telephone call.

It's not the governor, but his long-lost uncle, Aidan O'Connell.

A veteran of the IRA and a recently released guest of San Quentin Penitentiary for armed-to-the-teeth robbery, Aidan offers his nephew a pardon that has nothing to do with lawyers.

Coglin is about to find out that the type of amnesty Uncle Aidan is proposing is the kind that involves a beautiful but dangerous Mafia widow, a car trunk full of M-16s, and thirty million dollars in jewels smack dab in the middle of Rockefeller Center.

Before the Devil Knows You're Dead is a highly entertaining, deliciously gritty, super-fast thriller that takes us on a cutthroat ride into an urban realm where criminal intent collides head-on with the vagaries of fate and the inscrutabilities of the human heart.2009 release, the most powerful and ambitious album in Primal Fear's history. All the trademarks of the Primal Fear sound are featured and the total ! dedication to pure Heavy Metal is easily found in songs like 'Six Times Dead (16.6)', 'Soar', 'Smith & Wesson' as well as the epic stories, consummate musicianship and fantastic melodies in songs like 'Black Rain', 'No Smoke Without Fire', 'Torn' and the stylistically new ballad 'Hands Of Time' with the four guys all sharing the lead vocals. Frontiers.Before the Devil Knows You're Dead reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm German Style D mini poster print

Pop Culture Graphics, Inc is Amazon's largest source for movie and TV show memorabilia, posters and more: Offering tens of thousands of items to choose from. We also offer a full selection of framed posters..

Customer satisfaction is always guaranteed when you buy from Pop Culture Graphics,Inc

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The Adventures of Brisco County, Jr.: The Complete Series

• Condition: New
• Format: DVD
• Box set; Closed-captioned; Color; Dolby; DVD; Subtitled; NTSC

Mud Creek, Texas, is about to get all shook up. When mysterious deaths plague the Shady Rest retirement home, it's up to an aging, cantankerous "Elvis" (Bruce Campbell) and a decrepitand black"JFK" (Ossie Davis) to defeat a 3,000-year-old-Egyptian mummy with a penchant for sucking human souls! Can the King show the world that he can still take care of business?Don Coscarelli directs and Bruce Campbell stars as the King of Camp in this intentionally over-the-top schlockfest. Bubba Ho-Tep is partially about Elvis Presley and partially about the title character, an Egyptian cowboy zombie, but mostly it is about camp. The movie is equal parts story and back story. We learn through narration and flashback how Elvis didn't really die, ending up instead in a rest home in East Texas with! JFK (played by Ossie Davis), who was dyed black and had his brain removed, presumably for reasons of national security. Campbell and Davis realize that something strange is going on when their rest-home compatriots start dropping off suspiciously. The whole movie leads up to a final showdown to the death with the Egyptian cowboy zombie who has been sucking the souls of their fellow residents because he thought no one would notice. The movie unfolds a bit slowly; it is, after all, a geriatrics-fight-Egyptian-cowboy-zombie movie. However, one wishes this self-conscious movie's pacing took its cue from the atypically fast-moving zombie instead of from the senior-citizen Elvis and JFK. In the end, though, Campbell is flawless as the aged King; his accent, intonations, glasses, and trademark karate are at the same time sincere and over the top. --Brian SaltzmanMud Creek, Texas, is about to get all shook up. When mysterious deaths plague the Shady Rest retirement ho! me, it's up to an aging, cantankerous "Elvis" (Bruce Campbell)! and a d ecrepitand black"JFK" (Ossie Davis) to defeat a 3,000-year-old-Egyptian mummy with a penchant for sucking human souls! Can the King show the world that he can still take care of business? Don Coscarelli directs and Bruce Campbell stars as the King of Camp in this intentionally over-the-top schlockfest. Bubba Ho-Tep is partially about Elvis Presley and partially about the title character, an Egyptian cowboy zombie, but mostly it is about camp. The movie is equal parts story and back story. We learn through narration and flashback how Elvis didn't really die, ending up instead in a rest home in East Texas with JFK (played by Ossie Davis), who was dyed black and had his brain removed, presumably for reasons of national security. Campbell and Davis realize that something strange is going on when their rest-home compatriots start dropping off suspiciously. The whole movie leads up to a final showdown to the death with the Egyptian cowboy zombie who has been sucking the sou! ls of their fellow residents because he thought no one would notice. The movie unfolds a bit slowly; it is, after all, a geriatrics-fight-Egyptian-cowboy-zombie movie. However, one wishes this self-conscious movie's pacing took its cue from the atypically fast-moving zombie instead of from the senior-citizen Elvis and JFK. In the end, though, Campbell is flawless as the aged King; his accent, intonations, glasses, and trademark karate are at the same time sincere and over the top. --Brian SaltzmanDon Coscarelli directs and Bruce Campbell stars as the King of Camp in this intentionally over-the-top schlockfest. Bubba Ho-Tep is partially about Elvis Presley and partially about the title character, an Egyptian cowboy zombie, but mostly it is about camp. The movie is equal parts story and back story. We learn through narration and flashback how Elvis didn't really die, ending up instead in a rest home in East Texas with JFK (played by Ossie Davis), who was dyed! black and had his brain removed, presumably for reasons of na! tional s ecurity. Campbell and Davis realize that something strange is going on when their rest-home compatriots start dropping off suspiciously. The whole movie leads up to a final showdown to the death with the Egyptian cowboy zombie who has been sucking the souls of their fellow residents because he thought no one would notice. The movie unfolds a bit slowly; it is, after all, a geriatrics-fight-Egyptian-cowboy-zombie movie. However, one wishes this self-conscious movie's pacing took its cue from the atypically fast-moving zombie instead of from the senior-citizen Elvis and JFK. In the end, though, Campbell is flawless as the aged King; his accent, intonations, glasses, and trademark karate are at the same time sincere and over the top. --Brian SaltzmanSomething evil is stirring in the small mining town of Gold Lick, and it's not happy. Guan-di, the Chinese protector of the dead with a strange affinity for bean curd, has been awakened by reckless teenagers, and now hi! s bloody crusade to wipe out the town's entire population can only be stopped by one man - Bruce Campbell (the guy who starred in all three Evil Dead movies and Bubba Ho-tep), B-move star and deadbeat ex-husband extraordinaire, who's recruited to be their unwitting savior. Thinking the whole scenario's a publicity prank, Bruce is distracted from his mission by a hot mom and fan boys aplenty-- but when our hero has to face off against a dark force more fearsome than a Hollywood agent, the laughs and screams start flying!

Includes Collectible 24-page MY NAME IS BRUCE comic book inside

Special Features:
-Feature-length commentary with director/actor Bruce Campbell and producer Mike Richardson
-Documentary: Heart of Dorkness The Making of My Name is Bruce
-Featurettes: Bruce On..., Beyond Inside the Cave: The Making of CaveAlien 2, Kif s Korner, Awkward Moments with Kif, Love Birds, Hard Truth News from Hollywood The Real Bruce Campbell
-CaveAlien 2 ! Trailer, My Name is Bruce Trailer
-Poster Art Gallery, Prop! s Art Ga llery, Photo GalleryCult film and TV star Bruce Campbell (Burn Notice) lampoons his own B-movie legacy with My Name is Bruce, an agreeably goofy horror-comedy which pits him--well, a version of him, anyway--against a malevolent Asian spirit in order to save a die-hard fan. Campbell also directed Bruce, and brings a loose, kitchen-sink vibe to the proceedings, which has teenager and die-hard Bruce Campbell fan Jeff (Taylor Sharp) kidnap his idol in order to save his small town from an ancient Chinese demon. Unfortunately, the movie Bruce Campbell is a broken-down, booze-swilling reprobate who lacks even an ounce of the insouciant charm of his screen persona in Evil Dead 2 or the Hercules series, and proves woefully inadequate in dispelling the monster. But as films ranging from Cat Ballou and My Favorite Year to Galaxy Quest and Three Amigos! have proven, the unwavering belief of a fan can bring out the h! ero in even the worst heel, and Bruce rises to the occasion in the picture's final third. Obviously, Bruce is slated towards fans of Campbell's eccentric screen c.v., and aficionados will undoubtedly appreciate the endless slew of nods to his previous films, as well as cameos by many of his co-stars, including Ted Raimi in multiple roles (one of which is a Chinese gentleman that gives Mickey Rooney in Breakfast at Tiffany's a run for his money in the stereotype department). Campbell himself remains the movie's chief selling point; his knack for physical humor (read: self-abuse) and pulpy line readings have lost none of their charm, which does much to override some of the flick's flotilla of stale gags. Campbell's sense of humor is also given free reign on the commentary track, which he shares with producer Mike Richardson; the DVD, which comes with a 24-page comic book adaptation from Dark Horse, also includes an amusing making-of featurette, as well as a ! spoofy tell-all mockumentary on the "real" Bruce Campbell, and! a trail er for the atrocious film-within-a-film, Cavealien 2. -- Paul Gaita

Stills from My Name is Bruce (Click for larger image) The world's favorite western/sci-fi/comedy/action cult hit rides again! Here on 8 discs is the complete series about Brisco (Bruce Campbell), a tough-as-rawhide cowpoke, debonair ladies' man and Harvard-educated smarty-britches who roams from Frisco to Jalisco in pursuit of outlaws who killed his father...and in search of a mysterious orb possessing out-of-this world pow! ers. Hot lead and cool anachronisms await Brisco as he and his sidekicks - including Comet, the intellectual equine who doesn't know he's a horse - fight for justice in the way, way, way-out West. Put your boots in your stirrups, your tongue in your cheek and join the fun. Let's play cowboys and aliens.

DVD Features:
Audio Commentary
Documentary
Featurette
Other
Documentaries:The History of Brisco County: A behind-the-scenes documentary with cast and creator.
Featurette:1.) "Tools of the Trade" - mini featurettes on special aspects of the show narrated by Bruce Campbell. 2.) "A Brisco County Writer's Room" - Roundtable discussion with the writers & producers fo Adventures of Brisco County, Jr.
Other:1.) "A Reading From The Book of Bruce" 2.) "Brisco's Book of Coming Things" - interactive menu launching mini-featurettes about the signature references to futuristic elements of the show, narrated b! y Bruce Campbell.

A science fiction-Western and comedy! -drama w ith echoes of The Wild Wild West and Raiders of the Lost Ark, The Adventures of Brisco County Jr.: The Complete Series is uniquely entertaining. Anchored by the comically heroic style of likable B-movie actor Bruce Campbell, Adventures lasted one television season in 1993-94. But it left behind a full 27 episodes (including two two-part stories) full of classic TV Western production values and a running storyline that resembles The X-Files after awhile.

Campbell plays Brisco County Jr., a bounty hunter and son of a legendary U.S. marshal (R. Lee Ermey) gunned down by the villainous John Bly (Billy Drago) and his band of misfits. The younger Brisco is hired by a consortium of businessmen to protect their interests from the likes of Bly, and while he's dedicated to that cause, Brisco is also determined to avenge his father's murder. Helping him do a little of both is a fussy attorney, Socrates Poole (Christian Clemenson); a rival bounty ! hunter, Lord Bowler (Julius Carry); a wacky inventor, Professor Wickwire (John Astin); and a sultry saloon singer, Dixie (Kelly Rutherford). Rockets, mysterious orbs, and superhuman strength are some of the delightfully out-of-their-element phenomena that find themselves alongside more conventional cowpoke ingredients, including a horse so smart he can chew the ropes binding Brisco's hands. For the most part, the stories stand alone. But as the season progresses, a lot of things get weirder, albeit in a good way: the truth about Bly and his connection to a golden orb everyone wants, for example, are certainly unexpected. But the show is always dazzling, often satiric ("Oy!" Dixie exclaims when Brisco outlines the steps involved in stopping a runaway wagon they're trapped within), yet heartening in an old-fashioned way. Special features include Campbell's reading of a chapter about the series in his autobiography. --Tom Keogh

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First Sunday : Widescreen Edition

• Widescreen

Ice Cube and Tracy Morgan are two thieves who haven't got a prayer in First Sunday, a sinfully, funny comedy co-starring Katt Williams and Chi McBride. Sentenced to 5,000 hours of community service, Durell Jefferson's (Cube) life quickly goes from bad to worse. Realizing that the Lord helps those who help themselves, he eventually decides to help himself to the neighborhood church's building fund. Accompanied by his dimwitted partner-in-crime LeeJohn (Morgan), the two down-on-their-luck men are dismayed to discover the cash has already been stolen, so they hold the congregation hostage in a Hail Mary attempt to learn who amongst the righteous has already run away with their loot! Also starring Tiffany New York Pollard, Rickey Smiley, Loretta Devine and Malinda Williams.Ice Cube continues his winning streak as a likeable everyman in family movies with First Sunday, an ! initially silly, disposable comedy that picks up emotional power and authenticity by the second act. Cube plays ne’er-do-well Durell, an out-of-work Baltimore dad who needs over $17,000 to keep his ex from taking their son with her to Atlanta for good. Desperate to raise the cash but hamstrung by his self-defeating attitude and the criminal antics of his goofy sidekick, LeeJohn (Tracy Morgan), Durell gives in to temptation and decides he and LeeJohn should rob a church. The crime goes badly when it turns out a number of parishioners are in the building at the time, and a hostage situation develops. Events take a twist when the would-be thieves become the beneficiaries of Christian charity and forgiveness from the men and women they’ve kidnapped, and a bigger criminal is revealed in the congregation’s mix. A terrific supporting cast including Michael Beach, Chi McBride, Keith David, Malinda Williams, Loretta Devine, and Katt Williams bring strong humor and dignity to t! he film’s latter half, compensating for some unpleasant miss! teps (a pointless scene at a massage parlor) earlier in the story. Writer-director David E. Talbert is especially sharp during a spirited, gospel performance scene, which simply crackles on screen. --Tom KeoghIce Cube and Tracy Morgan are two thieves who haven't got a prayer in First Sunday, a sinfully, funny comedy co-starring Katt Williams and Chi McBride. Sentenced to 5,000 hours of community service, Durell Jefferson's (Cube) life quickly goes from bad to worse. Realizing that the Lord helps those who help themselves, he eventually decides to help himself to the neighborhood church's building fund. Accompanied by his dimwitted partner-in-crime LeeJohn (Morgan), the two down-on-their-luck men are dismayed to discover the cash has already been stolen, so they hold the congregation hostage in a Hail Mary attempt to learn who amongst the righteous has already run away with their loot! Also starring Tiffany New York Pollard, Rickey Smiley, Loretta Devine and Malinda Wil! liams.Ice Cube continues his winning streak as a likeable everyman in family movies with First Sunday, an initially silly, disposable comedy that picks up emotional power and authenticity by the second act. Cube plays ne’er-do-well Durell, an out-of-work Baltimore dad who needs over $17,000 to keep his ex from taking their son with her to Atlanta for good. Desperate to raise the cash but hamstrung by his self-defeating attitude and the criminal antics of his goofy sidekick, LeeJohn (Tracy Morgan), Durell gives in to temptation and decides he and LeeJohn should rob a church. The crime goes badly when it turns out a number of parishioners are in the building at the time, and a hostage situation develops. Events take a twist when the would-be thieves become the beneficiaries of Christian charity and forgiveness from the men and women they’ve kidnapped, and a bigger criminal is revealed in the congregation’s mix. A terrific supporting cast including Michael Beach, ! Chi McBride, Keith David, Malinda Williams, Loretta Devine, an! d Katt W illiams bring strong humor and dignity to the film’s latter half, compensating for some unpleasant missteps (a pointless scene at a massage parlor) earlier in the story. Writer-director David E. Talbert is especially sharp during a spirited, gospel performance scene, which simply crackles on screen. --Tom KeoghMartin Lawrence leads an all-star cast, including Cedric the Entertainer, Mo'Nique, and Mike Epps, in the hit comedy Welcome Home Roscoe Jenkins. When a celebrated TV show host (Lawrence) returns to his hometown in the South, his family is there to remind him that going home is no vacation! It's one outrageous predicament after another when big-city attitude and small-town values collide in this hysterical comedy critics are praising for its "over-the-top hilarity!" (Roger Moore, Orlando Sentinel)While its story might sound terribly interesting, Welcome Home Roscoe Jenkins is largely a vehicle for gross-out sight gags and grotesque performances by perfo! rmers who, in many cases, don't need to do such things. Martin Lawrence stars as R.J. Stevens, a successful, Jerry Springer-like, television talk show host who sets aside his perfect life with a sweet son (Damani Roberts) and celebrity girlfriend (Joy Bryant) to attend his parents' golden wedding anniversary back home in Georgia. From the moment he arrives, all the reasons R.J. left to reinvent himself on the West Coast become clear. His siblings and cousins (Mike Epps, Mo'Nique, Michael Clarke Duncan, Cedric the Entertainer) quickly put him in his place, reminding him that his name is actually Roscoe Jenkins. His sweet mother (Margaret Avery) watches impassively while R.J.'s dad (James Earl Jones) strikes one disapproving note after another. R.J. would be content to wait out the anniversary events and go home, but the arrival of a woman (Nicole Ari Parker) he loved but couldn't keep during his adolescence changes everything, bringing out the competitive survivor within. Wr! itten and directed by Malcolm D. Lee (Undercover Brother), W elcome Home Roscoe Jenkins promises rich comedy and dramatic flavorings, as well as a bunch of delightful actors doing what only they can do best. But Lee subverts the project for cheap and easy laughs, using his best material to do little else than bridge scenes of bad slapstick, bestial perversity, clownish sex and irritating, motormouth rants from the likes of Mo'Nique and Epps. This a hard movie to sit through at 114 minutes, one of those what-were-they-thinking-when-they-made-this films. --Tom Keogh

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Stills from Welcome Home Roscoe Jenkins (Click for larger image)

Ice Cube and Tracy Morgan are two thieves who haven't got a prayer in First Sunday, a sinfully, funny comedy co-starring Katt Williams and Chi McBride. Sentenced to 5,000 hours of community service, Durell Jefferson's (Cube) life quickly goes from bad to worse. Realizing that the Lord helps those who help thems! elves, he eventually decides to help himself to the neighborhood church's building fund. Accompanied by his dimwitted partner-in-crime LeeJohn (Morgan), the two down-on-their-luck men are dismayed to discover the cash has already been stolen, so they hold the congregation hostage in a Hail Mary attempt to learn who amongst the righteous has already run away with their loot! Also starring Tiffany New York Pollard, Rickey Smiley, Loretta Devine and Malinda Williams.Ice Cube continues his winning streak as a likeable everyman in family movies with First Sunday, an initially silly, disposable comedy that picks up emotional power and authenticity by the second act. Cube plays ne’er-do-well Durell, an out-of-work Baltimore dad who needs over $17,000 to keep his ex from taking their son with her to Atlanta for good. Desperate to raise the cash but hamstrung by his self-defeating attitude and the criminal antics of his goofy sidekick, LeeJohn (Tracy Morgan), Durell gives i! n to temptation and decides he and LeeJohn should rob a church! . The cr ime goes badly when it turns out a number of parishioners are in the building at the time, and a hostage situation develops. Events take a twist when the would-be thieves become the beneficiaries of Christian charity and forgiveness from the men and women they’ve kidnapped, and a bigger criminal is revealed in the congregation’s mix. A terrific supporting cast including Michael Beach, Chi McBride, Keith David, Malinda Williams, Loretta Devine, and Katt Williams bring strong humor and dignity to the film’s latter half, compensating for some unpleasant missteps (a pointless scene at a massage parlor) earlier in the story. Writer-director David E. Talbert is especially sharp during a spirited, gospel performance scene, which simply crackles on screen. --Tom Keogh.Why have more than 20 million Christians fled Arab countries in the past 20 years? Why have Christians fled the holy city of Bethlehem in Palestinian-controlled territories? Acclaimed documentary filmmaker! Pierre Rehov explores this little-reported Christian exodus created by Israeli-Palestinian conflict, the dismal failures of economies in the region, and the increasingly repressive Islamic rule and religious persecution.More than a quarter of a century after his death, director Mario Bava remains one of international cinema’s most controversial icons. Today his influence â€" marked by stunning visuals, daring sexuality and shocking violence â€" can still be seen in the works of Martin Scorsese, David Lynch, Tim Burton, Dario Argento and countless others in a legacy that extends far beyond the horror genre. This collection brings together 5 landmark movies from the first half of Bava’s career â€" encompassing the original giallo, a bold Viking epic, and his three gothic horror masterpieces â€" featuring new transfers, original European versions, and exclusive featurettes to create the definitive celebration of one of the most important filmmakers of all time.Five of Mar! io Bava's best films are included in this box set, minus his f! orays in to eroticism, like Blood and Black Lace. Still, the lines between sexual pathos and violence blur in these selections that influenced not only other famed directors of Giallo, such as Dario Argento and Lucio Fulci, but also spawned the American golden age in horror, led by directors such as John Carpenter. Three black and white films here exemplify Bava's trademark use of chiaroscuro mixed with suspense-building cinematography first developed in early horror classics like Nosferatu and The Cabinet of Dr. Caligari. In the Hitchcock-inspired Evil Eye (1963), tourist Nora Davis (Leticia Roman) witnesses a murder but can't convince police of the crime. Kill Baby Kill! (1966) is the prototype for all little girl-ghost films. Dr. Paul Eswai (Giacomo Rossi-Stuart) is recruited to solve the mystery of Villa Graps, where Baroness Graps (Giana Vivaldi) reanimates her dead daughter, Melissa, by killing innocent villagers. In Black Sunday (1960)! , the witch Princess Asa Vajda comes back from the dead to inhabit her look-alike, Katia, both played by Barbara Steele, the original femme fatale to which all brunette vamps, like Soledad Miranda (Vampyros Lesbos) and Elvira, are indebted.

In Technicolor, Bava's fantastically rainbow-lit films underpin the director's fascination with connections between our world and those imagined. Black Sabbath (1963) is a trilogy hosted by Boris Karloff, who also stars as a Russian vampire in its segment, "The Wurdalak." "The Telephone," and "The Drop of Water," in which a nurse, Helen Correy (Jacqueline Pierreux), steals a ring then fears that her dead medium patient seeks revenge, are acute studies of guilt and paranoia. The Viking saga, Knives of the Avenger (1966), like Bava's Hercules in the Haunted World, spawned several sword and sorcery films, while protagonist Rurik's (Cameron Mitchell's) knife-throwing is indeed entertaining. Screened back to b! ack, these films provide evidence of Bava's influence in the h! orror ge nre. Moreover, they reveal Bava's deep understanding of horror's many facets, whether sexually, psychologically, or physically based. â€"Trinie DaltonFran Drescher, Charles Shaughnessy, Daniel Davis, Lauren Lane, Nicholle Tom, Benjamin Salisbury, Madeline Zima, and Renee Taylor star in this hilarious sitcom about the nanny with the face from Vogue and the voice from Queens. This DVD collection includes all 24 episodes from the first season of this hilarious show. Fran Drescher stars in her defining role as street-smart Fran Fine, a diva down-on-her-luck who finds herself hired for a job she never even applied for! Now, she's the nanny for a rich, sophisticated family in Manhattan, and when this blue-collar girl from the block moves in with the blue blood, widowed Broadway producer and his three children, comedy is red hot!Sony brings to DVD the first season of this one-of-a-kind sitcom starring Fran Drescher as the warm-hearted, nasal-voiced nanny from Queens who land! s a job caring for three children of a wealthy, widowed Broadway producer from Manhattan. During the show’s six-year run (1993-1999), Drescher dazzles as Fran Fine in a role she created and developed (as writer and producer in several episodes) and obviously relishes, whether she’s flirting, whining, sparring, or showcasing her sensational wardrobe. The three-disc collection features 22 episodes beginning with "The Pilot," when Fran knocks on the Sheffield’s door and is mistakenly hired as their new nanny, establishing the show’s shtick of "blue collar meets blue blood." Immediate chemistry between Nanny Fine and Maxwell Sheffield (Charles Shaughnessy, "Days of Our Lives") fuels the storylines while the sarcastic repartee of Sheffield’s assistant, C.C. Babcock (Lauren Lane) and Niles the Butler (Daniel Davis) further ignites the entertainment. Season highlights include "The Butler, the Husband, the Wife, and Her Mother," when the family enters a parallel universe ! in a hilarious turn of events; and "Imaginary Friend," the sea! son’s turning point where Drescher’s physical comedy (inspired by Lucille Ball) is given free reign. Celebrity guests include Carol Channing, Cloris Leachman, and Patti LaBelle (in the finale). Don’t miss the bonus material: a heartwarming "making-of" retrospective with the cast, and Drescher’s audio commentary during "I Don’t Remember Mama." Mild profanity and sexual innuendo. (Ages 12 and older) --Lynn Gibsondvd

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How to lose friends and alienate people ~ MOVIE POSTER 11"x 17"

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HOW TO LOSE FRIENDS AND ALIENATE PEOP - DVD MovieHow to Lose Friends and Alienate People may just be the first true British film--and a splendid one at that--to be set on American soil. The fearless actor Simon Pegg plays Sidney Young, a Fleet Street hatchet writer tapped to come to the States to join the literati, and glitterati, at a big, fat, glossy magazine--every resemblance of which to Vanity Fair is strictly intentional. Sidney is possibly the most annoying man in the Western world, tilting at nonexistent windmills. His character calls to mind many of the hapless charmers played by Hugh Grant--but Pegg, without Grant's raffish good looks, comes across as simply hapless. Which is perfect casting, since Sidney is supposed to be enormously aggravating, especia! lly when he first lands in New York. In his first few days in the city, Sidney puts off the first magazine colleague he met (Kirsten Dunst, in a top-flight comic turn), wears a wildly inappropriate T-shirt on his first day of work, spritzes fast food onto the designer white suit of a relative of the publisher, and picks up a tranny hooker. And things go downhill from there. On his first magazine assignment, Sidney, checking captions for a photo page, calls a powerful publicist. "Is he the fat one?" Sidney asks the publicist about one of her clients. Silence. "Well, is he the one with the wonky eye, then?" Pegg is a scream as Sidney, playing quite a different role than his starring one in Shaun of the Dead. Dunst is delicate but steely, and her comedic timing, under the deft direction of Robert B. Weide (Curb Your Enthusiasm), is spot on. Great supporting work, too, by editor Jeff Bridges, whose enthrallment to the power elite, and silver mane, channel Graydon ! Carter; by Gillian Anderson, as a take-no-prisoners publicist;! and by Megan Fox, a starlet cast as a bosom-heaving Mother Teresa. Sidney, and the film, will win you over, with a lot of laughter along the way.--A.T. HurleyThe movie tie-in edition of Toby Young's bestselling memoir of self-sabotage at Vanity Fair.

With a major motion picture of How to Lose Friends and Alienate People about to be released (starring Simon Pegg, Kirsten Dunst, and Jeff Bridges), there has never been a better time to savor this laugh-out-loud memoir from everyone's favorite "professional failurist." In his dishy assault on New York's A-list, How to Lose Friends and Alienate People, Toby Young lands a job at Vanity Fair--and proceeds to work his way down Manhattan's food chain.

In 1995 high-flying British journalist Toby Young left London for New York to become a contributing editor at Vanity Fair. Other Brits had taken Manhattan--Alistair Cooke, Tina Brown, Anna Wintour--so why couldn't he?But things didn't q! uite go according to plan. Within the space of two years he was fired from Vanity Fair, banned from the most fashionable bar in the city, and couldn't get a date for love or money. Even the local AA group wanted nothing to do with him.How to Lose Friends and Alienate People is Toby Young's hilarious and best-selling account of the five years he spent looking for love in all the wrong places and steadily working his way down the New York food chain, from glossy magazine editor to crash-test dummy for interactive sex toys. A seditious attack on the culture of celebrity from inside the belly of the beast, How to Lose Friends and Alienate People is also a "nastily funny read." --USA Today

In 1995 high-flying British journalist Toby Young left London for New York to become a contributing editor at Vanity Fair. Other Brits had taken Manhattan--Alistair Cooke, Tina Brown, Anna Wintour--so why couldn't he?But things didn't quite go accor! ding to plan. Within the space of two years he was fired from ! Vanit y Fair, banned from the most fashionable bar in the city, and couldn't get a date for love or money. Even the local AA group wanted nothing to do with him.How to Lose Friends and Alienate People is Toby Young's hilarious and best-selling account of the five years he spent looking for love in all the wrong places and steadily working his way down the New York food chain, from glossy magazine editor to crash-test dummy for interactive sex toys. A seditious attack on the culture of celebrity from inside the belly of the beast, How to Lose Friends and Alienate People is also a "nastily funny read." --USA Today

UK Import Blu-Ray/Region All pressing. Please note the special features are in the PAL format and not viewable on US PS3/standard Blu-Ray players. The main feature is viewable on all players however.How to Lose Friends and Alienate People may just be the first true British film--and a splendid one at that--to be set on American soil. Th! e fearless actor Simon Pegg plays Sidney Young, a Fleet Street hatchet writer tapped to come to the States to join the literati, and glitterati, at a big, fat, glossy magazine--every resemblance of which to Vanity Fair is strictly intentional. Sidney is possibly the most annoying man in the Western world, tilting at nonexistent windmills. His character calls to mind many of the hapless charmers played by Hugh Grant--but Pegg, without Grant's raffish good looks, comes across as simply hapless. Which is perfect casting, since Sidney is supposed to be enormously aggravating, especially when he first lands in New York. In his first few days in the city, Sidney puts off the first magazine colleague he met (Kirsten Dunst, in a top-flight comic turn), wears a wildly inappropriate T-shirt on his first day of work, spritzes fast food onto the designer white suit of a relative of the publisher, and picks up a tranny hooker. And things go downhill from there. On his first magazine ass! ignment, Sidney, checking captions for a photo page, calls a p! owerful publicist. "Is he the fat one?" Sidney asks the publicist about one of her clients. Silence. "Well, is he the one with the wonky eye, then?" Pegg is a scream as Sidney, playing quite a different role than his starring one in Shaun of the Dead. Dunst is delicate but steely, and her comedic timing, under the deft direction of Robert B. Weide (Curb Your Enthusiasm), is spot on. Great supporting work, too, by editor Jeff Bridges, whose enthrallment to the power elite, and silver mane, channel Graydon Carter; by Gillian Anderson, as a take-no-prisoners publicist; and by Megan Fox, a starlet cast as a bosom-heaving Mother Teresa. Sidney, and the film, will win you over, with a lot of laughter along the way.--A.T. HurleyHow To Lose Friends & Alienate People is directed by Robert Weide (Curb Your Enthusiasm), produced by Stephen Woolley (The Crying Game) and Elizabeth Karlsen. Based on the bestselling memoir by Toby Young and screenplay by Peter Straughan. Th! e soundtrack features Joey Ramone, Duffy, Motorhead, The Bees, Dusty Springfield, Nino Rota, Electrovamp, Guillemots, Leona Naess, The Kinks, Scissor Sisters, The Killers, Robyn and David Arnold. The cast is led by Simon Pegg (Shaun of the Dead), Kirsten Dunst (Spider-Man), Danny Huston (The Constant Gardener, ), Gillian Anderson (The X-Files), Megan Fox (Transformers), Max Minghella (Hippie Hippie Shake) and Jeff Bridges (The Big Lebowski).Brand New Product

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Cronicas

• "One Hour with the Truth" is broadcast nightly from Miami across Latin America, carrying the hardest sensationalistic stories it can find. Star anchorman Manolo Bonilla (John Leguizamo) has flown down to a small town in Ecuador with producer Marisa (Leonor Watling) and cameraman Ivan (Jos Mari Yazpik) on the trail of a child serial killer and rapist, "The Monster of Babahoyo." The accidental de

John Leguizamo stars as Manolo Bonilla, a tabloid TV reporter who traveled from Miami with his news crew on the trail of a story about a serial killer striking a small town in Ecuador. Convinced this story could be the ‘big one’ that makes him a network star, he is willing to bend the rules to get the facts. But the closer he gets to uncovering the truth, the more he finds his carefully planned story spinning dangerously out of control. Soon, Bonilla and his crew find themselves at the center of! a frightening situation where even the best intentions can backfire.In twisty thriller Crónicas, John Leguizamo (Moulin Rouge) finally lands a lead role worthy of his talent. The Columbian-born actor is Manolo Bonilla, an ambitious Miami-based reporter for a Spanish-language news outlet. When a serial killer devastates a small town in Ecuador, he and his crew, Marisa (Leonor Watling, Talk to Her) and Iván (José María Yazpik, Innocent Voices), fly down to cover the story. Shortly after their arrival, Bonilla saves the life of shifty-looking salesman Vinicio Cepeda (Damián Alcázar). His intentions aren't as honorable as they seem. Cepeda claims to have information regarding the "Monster of Babahoyo" and Bonilla will do anything to keep him talking. Soon his star begins to rise as Cepeda provides him with more and more ratings-grabbing details. Then Bonilla discovers something even the authorities don't know about--another body. His decision ! to follow the lead on his own could make his career...or compl! etely de stroy it. Worse yet, another child may lose his life if Bonilla fails. Featuring Alfred Molina (Frida) as Marisa's TV host husband (seen only via monitor). Written and directed by Sebastián Cordero and produced by Guillermo del Toro and Alfonso Cuarón, Crónicas was nominated for the Grand Jury Prize at the 2005 Sundance Film Festival. --Kathleen C. Fennessy

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