Wednesday, November 16, 2011

Away We Go

  • Condition: New
  • Format: DVD
  • AC-3; Color; Dolby; Dubbed; DVD; Subtitled; Widescreen; NTSC
John Krasinski (The Office) and Maya Rudolph (Saturday Night Live) star in the heartfelt film that explores the comedic twists and turns in one couple’s journey across contemporary America. Anticipating the birth of their first child, longtime couple Burt (Krasinski) and Verona (Rudolph) embark on an ambitious itinerary to visit friends and family in order to find their perfect home. Featuring a remarkable soundtrack and an incredible ensemble cast â€" including Jeff Daniels, Allison Janney, Maggie Gyllenhaal, Catherine O’Hara and Jim Gaffigan. It’s the hilarious, witty film that critics are hailing as “absolutely extraordinary!” (Peter Travers, Rolling Stone)Away We Go has an incredible mix of ingredients: A script co-written by Dave Eggers (author of A Heartbreaking ! Work of Staggering Genius), directed by Sam Mendes (American Beauty, Revolutionary Road), starring the not-hugely-famous-but-always-excellent Maya Rudolph (Saturday Night Live) and John Krasinski (The Office), and featuring an astounding supporting cast that includes Catherine O’Hara, Maggie Gyllenhaal, Jeff Daniels, Allison Janney, Jim Gaffigan, and more. What’s even more incredible is that all these ingredients blend together into a truly marvelous but very non-traditional romantic comedy. For one thing, Burt (Krasinski) and Verona (Rudolph) are already a couple and expecting their first child. What they don’t know is where they’re going to live--so they set off on a tour of disparate locations (Tucson, Montreal, Miami) where they have friends or relatives, sampling not only different cities and climates but also different families. The social and emotional collisions that follow are sometimes very funny and sometimes heartwrenching! . Away We Go starts quietly and, through subtle yet con! sistentl y delightful scenes, builds to a surprisingly potent end. This is a gem of a movie, not to be missed. --Bret Fetzer

Quiksilver Men's Abyss Photo Real Tee, White, Medium

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Before Sunrise

  • BEFORE SUNRISE (DVD MOVIE)
BEFORE SUNSET - DVD MovieA heartbroken young Texas journalist meets a beautiful French student on a train bound for Paris, and invites her to share his last night in Vienna.
Genre: Feature Film-Drama
Rating: R
Release Date: 6-NOV-2001
Media Type: DVDStudio: Warner Home Video Release Date: 11/09/2010This romantic, witty, and ultimately poignant glimpse at two strangers (Ethan Hawke and Julie Delpy) who share thoughts, affections, and past experiences during one 14-hour tryst in Vienna somehow remains writer/director Richard Linklater's (Dazed and Confused, Slacker) most overlooked gem. Delpy, a stunning, low-key Parisian, meets the stammering American Hawke, as the two share a Eurorail seat--she's starting school in Paris, he's finishing a vacation. Their mutual attraction leads to an awkward meeting (beautifull! y played by each performer), and Hawke suggests that Delpy spend his remaining 14 hours in Vienna with him.

Typically, this skeleton is as much plot as Linklater provides; as usual, he's more interested in concentrating his talents on observing the casual, playful conversations between his leads. His tight time frame allows the characters to say anything to one another, and topics ranging from politics to past romances to fears of the future flow with subtle finesse. The short time frame is also cruel, however, because beneath this love affair lies the painful reality that the two most likely will never see each other again and will be left only with memories--an idea Linklater drives home with an effective snapshot conclusion.

Hardly the trite Gen-X bitch session that many '90s films using this approach become, the film feels more like a Bresson or Rohmer piece, containing sharp perceptions--and flawed humans rather than stereotypes. The protagonists' frank revelat! ions and heated exchanges flow in a stream-of-consciousness st! yle, and its no accident that Linklater set the film in Vienna, where Freud invented and practiced psychotherapy. --Dave McCoy

Tuesday, November 15, 2011

Girl With a Pearl Earring

  • Actors: Colin Firth, Scarlett Johansson, Tom Wilkinson, Judy Parfitt, Cillian Murphy.
  • Format: Color, Dolby, DVD, Subtitled, Widescreen, NTSC.
  • Language: English. Subtitles: Spanish.
  • Region: Region 1 (U.S. and Canada only).
  • Rated PG-13. Run Time: 100 minutes.
Delft Holland 1665. seventeen-year-old Griet must work to support her family and becomes a maid in the house of Johannes Vermeer where she gradually attracts the master painter s attention. Johannes and Griet must hide their inspiration of each other from his volatile wife Catharine. The wealthy and troublemaking Master van Ruijven senses the intimacy between the artist and his maid and contrives a paintings ever created but at what cost?System Requirements: Running Time 100 MinFormat: DVD MOVIE Genre: DRAMA Rating: PG-13 UPC: 012236155225 Manufacturer No: 15522You wouldn't think a movie could look like ! a Vermeer painting, but Girl with a Pearl Earring is filmed with an amazing range of luminous glows that evoke the Dutch artist's masterworks. Of course, it helps that much of the movie centers on Scarlett Johansson (Lost in Translation, Ghost World), whose creamy skin and full lips have a luminosity of their own. Johansson plays Griet, a maid in the household of Johannes Vermeer (Colin Firth, Bridget Jones' Diary, Fever Pitch), who finds herself in a web of jealousy, artistic inspiration, and social machinations. Though the pace is slow, Girl with a Pearl Earring genuinely conveys some sense of an artist's process, as well as offering many chaste yet sensual moments between Firth and Johansson. Also featuring Essie Davis as Vermeer's bitter wife and Tom Wilkinson (In the Bedroom) as a wealthy patron with eyes for Griet. --Bret Fetzer

Bride of Chucky

  • Actors: Jennifer Tilly, Brad Dourif, Katherine Heigl, Nick Stabile, Alexis Arquette.
  • Format: Anamorphic, Closed-captioned, Color, Dolby, DVD, Widescreen, NTSC.
  • Language: English (Dolby Digital 5.1), French (Dolby Digital 2.0 Surround). Subtitles: English, Spanish.
  • Region: Region 1 (U.S. and Canada only)
  • Rated R. Run Time: 89 minutes.
AFTER CHUCKY'S OLD FLAME RESUCES HIS BATTERED BODY FROM A POLICEIMPOUND HE TURNS HER INTO HIS NEWEST PLAYMATE AND PARTNER INCRIME. TOGETHER THE DEMONIC DUO EMBARK ON A HOMICIDAL HONEYMOON IN SEARCH OF TWO PERFECT SOULD TO STEAL. CHUCKY'S BACK. SPECIAL FEATURES: TALENT BIOS, WEB LINKS, DVD ROM APPLICATION AND MORE.Brace yourself: this is a clever, consistently entertaining, and even inspired continuation of the mean-spirited slasher series. For those not in the know, Chucky is a mop-top kid's doll come to life with the soul of a ser! ial killer and the voice of Brad Dourif (doing his best Jack Nicholson). Revived by his former paramour Tiffany (Jennifer Tilly, looking every inch a life-size Barbie in stiletto heels and skintight black leather), Chucky proceeds to turn his human sweetie into a pint-sized Talking Tina doll with attitude, and together they hit the road for a magic amulet and young new bodies to inhabit. They hitch a ride with sweet young runaways Katherine Heigl and Nick Stabile and leave a trail of corpses bloodied, burned, and cut to ribbons. The kids are cute, but the real heat is generated by the latex lovers who use murder as foreplay and consummate their renewed romance in a night of passionate sex ("Shouldn't you wear a rubber?" "I'm all rubber!"). Hong Kong director Ronny Yu (The Bride with White Hair) directs with a light touch and against all odds transforms walking dolls Chucky and Tiffany into funny, energetic, full-blooded characters: l'amour fou has never been m! ore crazy. John Ritter costars as Heigl's overprotective uncle! (anothe r obstacle on the road to dolly freedom) and Alexis Arquette is hilarious as a lanky goth nerd. The wild conclusion leaves room for another high-concept sequel. The DVD features two commentary tracks, a behind-the-scenes documentary, and "Jennifer Tilly's Diary." --Sean Axmaker

Art School Confidential (2005) DVD Widescreen

  • DVD
  • Widescreen
  • Subtitled English, French, Spanish, Portuguese, Chinese
  • Dolby Digital
"Art School Confidential" follows talented young artist Jerome Platz (Max Minghella) as he escapes from high school to a tiny East Coast art school. Here the boyish freshman's ambition is to become the world's greatest artist, like his hero Picasso. Unfortunately, the beauty and craft of Jerome's portraiture are not appreciated in an anything-goes art class. Neither his harsh judgments of his classmates' efforts nor his later attempts to create pseudo-art of his own win him any admirers. But Jerome does attract the attentions of his dream girl, the stunning and sophisticated Audrey (Sophia Myles), an artist's model and daughter of a celebrated artist. Rejecting the affectations of the local art scene, Audrey is drawn to Jerome's sincerity. When Audrey shifts her attention to Jonah (M! att Keeslar), a hunky painter who becomes the school's latest art star, Jerome is heartbroken. Desperate, he concocts a risky plan to make a name for himself and win her back.Bitter, misanthropic, yet sometimes blisteringly funny, Art School Confidential is not a movie for everyone. Jerome (Max Minghella, Bee Season) goes to art school in the hopes of having his genuine ability recognized and cherished--but instead, finds his teachers to be self-obsessed has-beens, his peers jaded and floundering, and himself being investigated for a series of gruesome stranglings. He becomes obsessed with a lovely student named Audrey (Sophia Myles, Tristan and Isolde), but she's more interested in hunky Jonah (Matt Keeslar, Splendor), whose crude yet acclaimed paintings of cars and tanks make Jerome want to tear his own eyes out. The crime-thriller plot of Art School Confidential, however, is merely a contrivance to string together a series of caustic di! gs at the shallow, narcissistic, talentless hacks who go to ar! t school in the vain hope of achieving fame, wealth, and sexual abundance with little or no effort. For most viewers, who want to think that people are largely well-intentioned and decent, this will seem snide and cruel; but for some viewers, who believe people are foolish and blinkered, Art School Confidential will seem like an oasis in the arid desert of lies and propaganda about the good side of human nature. If this is your movie, you know who you are, and I encourage you to seek it out as soon as possible. Directed by Terry Zwigoff (Bad Santa) and based on the work of cartoonist Dan Clowes; their previous collaboration was the much warmer Ghost World. Also featuring sharp turns from John Malkovich (Being John Malkovich), Anjelica Huston (Prizzi's Honor), and Jim Broadbent (Moulin Rouge!). --Bret Fetzer

Monday, November 14, 2011

Happiness Runs Early Elementary/Level 1 Piano Duet

  • Published by Faber Piano Adventures 6 Pages
  • Piano Level Early Elementary/Level 1
  • Arranger: Nancy Faber
A coming-of-age tale, that finds a young man, Victor (Mark L. Young), growing up on a Utopian commune faced with the challenge to either submit to his community's ideals or to escape. Victor's mother (Andie MacDowell) funds the collective where guru Insley (Rutger Hauer) lectures a lifestyle of free love and out-of-body meditations. Spurred by the sudden reappearance of his childhood love Becky (Hanna Hall), Victor creates a desperate plot to save them both and escape the polygamous cult. One part WOODSTOCK, one part LORD OF THE FLIES, director Adam Sherman's semi-autobiographical film, HAPPINESS RUNS, is a cautionary tale about freeing yourself of social constrictions.
It’s 2008. Jim Axelrodâ€"once among the most watched correspondents on network news and the! first television reporter to broadcast from Saddam International Airport in 2003â€"is covering the final stages of the race for the Democratic presidential nomination. He’s forty-five years old and thirty pounds overweight. He’s drinking too much, sleeping too little, and scarcely seeing his family. He’s just figured out that the industry that pulled him up the corporate ladder is imploding as he’s reaching for its final rungs. Then, out of the blue, Jim discovers his late father’s decades-old New York Marathon finish times. At forty-six, Bob Axelrod ran a 3:29:58. With everything else going on in his life, Jim sets himself a defining challenge: “Can I beat him?”
 
So begins a deeply felt, often hilarious, quixotic effort to run the 2009 New York Marathon. Along the way, Jim confronts his listing marriage, a career upset by the seismic changes going on throughout the television news industry, excruciatingly painful shin splints, and the w! orst-timed kidney stone possible. Looming over it all is the s! hadow of a loving father, who repeatedly lost his way in life but still has a lesson to impart.
 
This is a book about a dead father’s challenge to a son at a crossroads, but, more than that, it is about the personal costs paid when ambition and talent are not enough to ensure success. Most fundamentally, though, it is a book about learning what it takes to be happy in your own skin.
It’s 2008. Jim Axelrodâ€"once among the most watched correspondents on network news and the first television reporter to broadcast from Saddam International Airport in 2003â€"is covering the final stages of the race for the Democratic presidential nomination. He’s forty-five years old and thirty pounds overweight. He’s drinking too much, sleeping too little, and scarcely seeing his family. He’s just figured out that the industry that pulled him up the corporate ladder is imploding as he’s reaching for its final rungs. Then, out of the blue! , Jim discovers his late father’s decades-old New York Marathon finish times. At forty-six, Bob Axelrod ran a 3:29:58. With everything else going on in his life, Jim sets himself a defining challenge: “Can I beat him?”
 
So begins a deeply felt, often hilarious, quixotic effort to run the 2009 New York Marathon. Along the way, Jim confronts his listing marriage, a career upset by the seismic changes going on throughout the television news industry, excruciatingly painful shin splints, and the worst-timed kidney stone possible. Looming over it all is the shadow of a loving father, who repeatedly lost his way in life but still has a lesson to impart.
 
This is a book about a dead father’s challenge to a son at a crossroads, but, more than that, it is about the personal costs paid when ambition and talent are not enough to ensure success. Most fundamentally, though, it is a book about learning what it takes to be happy in your ! own skin.
It’s 2008. Jim Axe! lrodâ€"o nce among the most watched correspondents on network news and the first television reporter to broadcast from Saddam International Airport in 2003â€"is covering the final stages of the race for the Democratic presidential nomination. He’s forty-five years old and thirty pounds overweight. He’s drinking too much, sleeping too little, and scarcely seeing his family. He’s just figured out that the industry that pulled him up the corporate ladder is imploding as he’s reaching for its final rungs. Then, out of the blue, Jim discovers his late father’s decades-old New York Marathon finish times. At forty-six, Bob Axelrod ran a 3:29:58. With everything else going on in his life, Jim sets himself a defining challenge: “Can I beat him?”
 
So begins a deeply felt, often hilarious, quixotic effort to run the 2009 New York Marathon. Along the way, Jim confronts his listing marriage, a career upset by the seismic changes going on throughout the televisi! on news industry, excruciatingly painful shin splints, and the worst-timed kidney stone possible. Looming over it all is the shadow of a loving father, who repeatedly lost his way in life but still has a lesson to impart.
 
This is a book about a dead father’s challenge to a son at a crossroads, but, more than that, it is about the personal costs paid when ambition and talent are not enough to ensure success. Most fundamentally, though, it is a book about learning what it takes to be happy in your own skin.


Reproduction poster of Happiness Runs printed on heavy card stock.
Students may just start singing this engaging melody and cheerful lyric. Legato and staccato touches are explored as both parts share melody and harmony.

Songs: Happiness Runs

Breakfast With Scot

  • BREAKFAST WITH SCOT (DVD MOVIE)
The lives of Eric, an ex-hockey player, and his partner Sam are thrown into turmoil when they are forced to take in Scot, a flamboyant 11-year-old, who is not the sports-loving “boy” they expected. Starring Tom Cavanagh, Ben Shenkman and Noah Bernett. Like most couples, Eric (Tom Cavanagh, Ed) and Sam (Ben Shenkman, Angels in America) have their differences. A former NHL player, Eric broadcasts sports news, while Sam practices corporate law. If Sam seems comfortable with his orientation, Eric keeps their four-year relationship a secret for the sake of his career. When Sam's wayward brother Billy's girlfriend passes away, the Toronto couple takes temporary custody of her 11-year-old son, Scot (the unflappable Noah Bernett). Until he makes his gardenia-scented entrance, Breakfast with Scot appears to be a comedy about gay parenting, excep! t Scot isn't a typical boy. He sings show tunes, wears feather boas, and makes "T"-shaped pancakes (because his first name ends with one "T"). As an ex-Toronto Maple Leaf, Eric finds Scot's flamboyance discomforting, so he encourages him to play hockey. To his surprise, the kid takes to the ice like a fish to water, but as Scot spends more time with the athletes than the outcasts, he develops a mean streak, which presents even more of a challenge to his guardians. Further, Billy (Colin Cunningham, Da Vinci's Inquest), who lives in Brazil, expresses greater interest in his ex-girlfriend's insurance money than the child that comes with it. Loosely adapted from the novel by Michael Downing and paced like a sitcom, director Laurie Lynd presents few storyline surprises, but the basic premise is sure to resonate with parents of all persuasions. In the end, Scot teaches Eric that it's better to be yourself than to conform to constricting gender roles. --Kathleen C. Fenne! ssy

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