Employee of the Month

• Actors: Dane Cook, Jessica Simpson, Dax Shepard, Victor Izay, Sean Whalen.
• Format: Closed-captioned, Color, Dolby, DVD, Full Screen, NTSC, Subtitled.
• Language: English. Subtitles: English, Spanish.
• Region: Region 1 (U.S. and Canada only).
• Rated PG-13. Run Time: 108 minutes.

For years Zack Bradley (Dane Cook) has been working hard at hardly working at the local Super Club. That's until a hottie named Amy (Jessica Simpson) becomes the new cashier. After discovering she's willing to date the next guy to become "Employee of the Month", Zack takes on current titleholder (Dax Shepard) in a super-smackdown to see who will win the honor - and Amy's heart - in this outrageous comedy that proves you can't succeed at life and love till you get your shift together.For years Zack Bradley (Dane Cook) has been working hard at hardly working at the local Super Club. That's unt! il a hottie named Amy (Jessica Simpson) becomes the new cashier. After discovering she's willing to date the next guy to become "Employee of the Month", Zack takes on current titleholder (Dax Shepard) in a super-smackdown to see who will win the honor - and Amy's heart - in this outrageous comedy that proves you can't succeed at life and love till you get your shift together.

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Drumline (Full Screen Edition)

• Full Screen Edition
• Bonus Features

Halftime is party time in this high-energy comedy about a gifted street drummer (Nick Cannon) who snares the top spot in a university marching band - but quickly discovers it takes more than talent to succeed. Featuring a hip-hop soundtrack and dazzling dance moves, Drumline "shakes, rattles and rolls the house!" (Washington Post)Once you've seen Drumline, halftime shows will become works of art. This formulaic yet surprisingly captivating movie honors the military precision of college football marching bands, those battalions of eager, sternly disciplined brass sections, drummers, and fly girls who turn halftime shows into well-oiled Vegas variety acts on steroids. Devon (played by Will Smith protégé Nick Cannon) is a cocky Brooklyn kid with a snare-drumming scholarship to (fictional) Atlanta A&T University. He can't read music (he li! ed on his application) and his attitude sucks, but he's the best natural drummer the college has ever had, so he quickly rises through the marching band ranks. The school year brings Devon the obligatory girlfriend (Zoë Saldana, smart and charming); clashes with his old-school band director (Orlando Jones); and well-earned redemption at the championship marching band showdown. No surprises here, but great chemistry all around, and a fantastic, positive role-model showcase for a musical form that has evolved far beyond the main street parades of Smalltown, U.S.A. --Jeff Shannon

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Back to the Future: The Complete Trilogy (Widescreen Edition)

• Condition: Used, Very Good
• Format: DVD
• Anamorphic; Box set; Closed-captioned; Color; Dolby; DVD; Subtitled; Widescreen; NTSC

Experience one of the most popular movie series of all time like never before with the Back to the Future 25th Anniversary Trilogy! Join Marty McFly (Michael J. Fox), Doc Brown (Christopher Lloyd) and a time traveling DeLorean for the adventure of a lifetime as they travel to the past, present and future, setting off a time-shattering chain reaction that disrupts the space time continuum! From filmmakers Steven Spielberg, Robert Zemeckis and Bob Gale, these timeless films feature all-new 25th Anniversary restorations for enhanced picture and sound plus hours of exciting bonus features.Filmmaker Robert Zemeckis topped his breakaway hit Romancing the Stone with Back to the Future, a joyous comedy with a dazzling hook: what would it be like to! meet your parents in their youth? Billed as a special-effects comedy, the imaginative film (the top box-office smash of 1985) has staying power because of the heart behind Zemeckis and Bob Gale's script. High schooler Marty McFly (Michael J. Fox, during the height of his TV success) is catapulted back to the '50s where he sees his parents in their teens, and accidentally changes the history of how Mom and Dad met. Filled with the humorous ideology of the '50s, filtered through the knowledge of the '80s (actor Ronald Reagan is president, ha!), the film comes off as a Twilight Zone episode written by Preston Sturges. Filled with memorable effects and two wonderfully off-key, perfectly cast performances: Christopher Lloyd as the crazy scientist who builds the time machine (a DeLorean luxury car) and Crispin Glover as Marty's geeky dad. --Doug Thomas

Critics and audiences didn't seem too happy with Back to the Future, Part II, the inventive, perhaps too! clever sequel. Director Zemeckis and cast bent over backwards! to add layers of time-travel complication, and while it surely exercises the brain it isn't necessarily funny in the same way that its predecessor was. It's well worth a visit, though, just to appreciate the imagination that went into it, particularly in a finale that has Marty watching his own actions from the first film. --Tom Keogh

Shot back-to-back with the second chapter in the trilogy, Back to the Future, Part III is less hectic than that film and has the same sweet spirit of the first, albeit in a whole new setting. This time, Marty ends up in the Old West of 1885, trying to prevent the death of mad scientist Christopher Lloyd at the hands of gunman Buford "Mad Dog" Tannen (Thomas F. Wilson, who had a recurring role as the bully Biff). Director Zemeckis successfully blends exciting special effects with the traditions of a Western and comes up with something original and fun. --Tom KeoghFrom the Academy Award-winning filmmakers Steven Spielberg and Rob! ert Zemeckis comes Back to the Future - the original, groundbreaking adventure that sparked one of the most successful trilogies ever! When teenager Marty McFly (Michael J. Fox) is blasted to 1955 in the DeLorean time machine created by the eccentric Doc Brown (Christopher Lloyd), he finds himself mixed up in a time-shattering chain reaction that could vaporize his future - and leave him trapped in the past. Powered by innovative special effects, unforgettable songs and non-stop action, Back to the Future is an unrivaled adventure that stands the test of time. Starring: Michael J. Fox, Christopher Lloyd, Lea Thompson, Thomas F. Wilson, Crispin Glover, Claudia Wells, Billy Zane, Casey Siemaszko Directed by: Robert ZemeckisDr. Emmett Brown: Then tell me, "future boy," who is president in the United States in 1985?
Marty McFly: Ronald Reagan.
Dr. Brown: Ronald Reagan? The actor?! Who's vice president? Jerry Lewis?

Filmmaker Robert Zemeckis topped his break! away hit Romancing the Stone with this joyous comedy wi! th a daz zling hook: what would it be like to meet your parents in their youth? Billed as a special-effects comedy, the imaginative film (the top box-office smash of 1985) has staying power because of the heart behind Zemeckis and Bob Gale's script. High schooler Marty McFly (Michael J. Fox, during the height of his TV success) is catapulted back to the '50s where he sees his parents in their teens, and accidentally changes the history of how Mom and Dad met. Filled with the humorous ideology of the '50s, filtered through the knowledge of the '80s (actor Ronald Reagan is president, ha!), the film comes off as a Twilight Zone episode written by Preston Sturges. Filled with memorable effects and two wonderfully off-key, perfectly cast performances: Christopher Lloyd as the crazy scientist who builds the time machine (a DeLorean luxury car) and Crispin Glover as Marty's geeky dad. Followed by two sequels. --Doug ThomasExperience one of the most popular movie series of all ! time like never before with the Back to the Future 25th Anniversary Trilogy! Join Marty McFly (Michael J. Fox), Doc Brown (Christopher Lloyd) and a time traveling DeLorean for the adventure of a lifetime as they travel to the past, present and future, setting off a time-shattering chain reaction that disrupts the space time continuum! From filmmakers Steven Spielberg, Robert Zemeckis and Bob Gale, these timeless films feature all-new 25th Anniversary restorations for enhanced picture and sound plus hours of exciting bonus features.Filmmaker Robert Zemeckis topped his breakaway hit Romancing the Stone with Back to the Future, a joyous comedy with a dazzling hook: what would it be like to meet your parents in their youth? Billed as a special-effects comedy, the imaginative film (the top box-office smash of 1985) has staying power because of the heart behind Zemeckis and Bob Gale's script. High schooler Marty McFly (Michael J. Fox, during the height of his TV suc! cess) is catapulted back to the '50s where he sees his parents! in thei r teens, and accidentally changes the history of how Mom and Dad met. Filled with the humorous ideology of the '50s, filtered through the knowledge of the '80s (actor Ronald Reagan is president, ha!), the film comes off as a Twilight Zone episode written by Preston Sturges. Filled with memorable effects and two wonderfully off-key, perfectly cast performances: Christopher Lloyd as the crazy scientist who builds the time machine (a DeLorean luxury car) and Crispin Glover as Marty's geeky dad. --Doug Thomas

Critics and audiences didn't seem too happy with Back to the Future, Part II, the inventive, perhaps too clever sequel. Director Zemeckis and cast bent over backwards to add layers of time-travel complication, and while it surely exercises the brain it isn't necessarily funny in the same way that its predecessor was. It's well worth a visit, though, just to appreciate the imagination that went into it, particularly in a finale that has Marty watching! his own actions from the first film. --Tom Keogh

Shot back-to-back with the second chapter in the trilogy, Back to the Future, Part III is less hectic than that film and has the same sweet spirit of the first, albeit in a whole new setting. This time, Marty ends up in the Old West of 1885, trying to prevent the death of mad scientist Christopher Lloyd at the hands of gunman Buford "Mad Dog" Tannen (Thomas F. Wilson, who had a recurring role as the bully Biff). Director Zemeckis successfully blends exciting special effects with the traditions of a Western and comes up with something original and fun. --Tom KeoghExperience theiComplete Trilogy!Presented by Steven Spielberg directed by Oscar® winner Robert Zemeckis and starring time travelers Michael J. Fox and Christopher Lloyd the phenomenally popular Back To The Future films literally changed the future of the adventure movie genre. Now this unprecedented Back To The Future DVD Trilogy immerses you! in all the breathtaking action outrageous comedy and sheer mo! viemakin g magic of one of the most brilliantly inventive wildly entertaining motion picture triumphs in Hollywood history!System Requirements:Starring: Michael J. Fox Christopher Lloyd Crispin Glover Elisabeth Shue and Lea Thompson. Directed By: Robert Zemeckis. Running Time: 344 Min. (Total) Color. These films are presented in "Widescreen" format. Copyright 2002 Universal.Format: DVD MOVIE Genre: COMEDY Rating: PG UPC: 025192212123 Manufacturer No: 61022121Filmmaker Robert Zemeckis topped his breakaway hit Romancing the Stone with Back to the Future, a joyous comedy with a dazzling hook: what would it be like to meet your parents in their youth? Billed as a special-effects comedy, the imaginative film (the top box-office smash of 1985) has staying power because of the heart behind Zemeckis and Bob Gale's script. High schooler Marty McFly (Michael J. Fox, during the height of his TV success) is catapulted back to the '50s where he sees his parents in their teen! s, and accidentally changes the history of how Mom and Dad met. Filled with the humorous ideology of the '50s, filtered through the knowledge of the '80s (actor Ronald Reagan is president, ha!), the film comes off as a Twilight Zone episode written by Preston Sturges. Filled with memorable effects and two wonderfully off-key, perfectly cast performances: Christopher Lloyd as the crazy scientist who builds the time machine (a DeLorean luxury car) and Crispin Glover as Marty's geeky dad. --Doug Thomas

Critics and audiences didn't seem too happy with Back to the Future, Part II, the inventive, perhaps too clever sequel. Director Zemeckis and cast bent over backwards to add layers of time-travel complication, and while it surely exercises the brain it isn't necessarily funny in the same way that its predecessor was. It's well worth a visit, though, just to appreciate the imagination that went into it, particularly in a finale that has Marty watching his ! own actions from the first film. --Tom Keogh

Shot ba! ck-to-ba ck with the second chapter in the trilogy, Back to the Future, Part III is less hectic than that film and has the same sweet spirit of the first, albeit in a whole new setting. This time, Marty ends up in the Old West of 1885, trying to prevent the death of mad scientist Christopher Lloyd at the hands of gunman Buford "Mad Dog" Tannen (Thomas F. Wilson, who had a recurring role as the bully Biff). Director Zemeckis successfully blends exciting special effects with the traditions of a Western and comes up with something original and fun. --Tom Keogh

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The English Aristocrat's Bride (Harlequin Presents, No. 2465)

• 2005 - Harlequin Presents - Paperback - 1st Edition
• The English Aristocrat's Bride
• Written By Sandra Field
• The Passion Series - Book #2465
• New - Collectible

An Unexpected Encounter

For a few moments on a moonlit balcony, Nicole Beaumont was just a beautiful woman catching the eye of the handsome Lord Devlinâ€"but she knew the illusion couldn't last. If the enigmatic aristocrat knew her secret, he'd realize that her disability left her unfit for love. So who could blame her for hiding the truth a little longer?

Devlin had never met a woman like Nicole. Her unique combination of innocence and wisdom left him utterly intrigued. Yet what was she hiding? For a man who did not trust easily, discovering her secret was devastating. Overcoming their pasts and forging a future would take faith, forgiveness and trust. And second chances could lead to new beginn! ings…You were living it up with Louis XVI and Marie Antoinette, and then the tides turned. Now the king and queen have lost their heads and you're stuck in a filthy jail without a morsel of pate to eat. Quelle horreur! Could anything be worse?

By the author of the acclaimed The Rise and Fall of the British Empire comes a "grand tour of the lives and impact of this truly remarkable breed." (The Washington Times)

Aristocracy means "rule by the best." For nine hundred years, the British aristocracy has considered itself ideally qualified to rule others, make laws, and guide the fortunes of the nation. Tracing the history of this remarkable supremacy, Aristocrats is a story of civil wars, conquests, intrigue, chicanery, and extremes of both selflessness and greed. 

Lawrence James also illuminates how the aristocracy's infatuation with classical art has forged English heritage, how its love of sport has shaped its pastimes and value! s, and how its scandals have entertained the public.

Imp! eccably researched, balanced, and brilliantly entertaining, Aristocrats is an enthralling history of power, influence, and an extraordinary knack for survival.

When Count Guillermo de la Cruz announced his engagement to plain-Jane heiress Kara deMontaine just minutes after meeting her, the jet-set gaped in shock. But none was more stunned than Kara. The man of her dreams had just offered marriage--as an act of revenge against his former lover. She should have said no. But something in Gui's primal stare showed her he was far from indifferent to her. Could Kara tame this royal playboy and show Gui they could find happily ever after...with each other?Rapscallion! Rake! Wanderer! Adventurer!

All accusations that the Earl of Treyford acknowledges with pride. The scandalous son of a disgraced mother, he has no time for the pretty niceties of the ton, nor the simpering debutantes who populate its ballrooms.

He has returned to England to aid an "aging" spinster facing a! n undefined danger. But Miss Latimer's dark and sultry beauty, her fascinating mix of knowledge and innocence, arouse far more than his protective instincts.

Can such an improper aristocrat learn to be the true gentleman Miss Latimer deserves?

Handsome English aristocrat Lord Simon Morton-Blake is reluctant to get involved with anyone on his visit to Australia--especially a single mother like Kate Petherbridge! But Simon can't deny his attraction to vivacious Kate, or refuse her offer of a place to stay.

Thrown into the middle of Kate's lively family, Simon finds his buttoned-up manner slowly undone. A happy family isn't something Simon's known before, but he's starting to realize there's one ready-made, just for him....

The Lennox Sisters--great-granddaughters of a king, daughters of a cabinet minister, and wives of politicians and peers--lived lives of real public significance, but the private texture of their family-centered world mattered to ! them and they shared their experiences with each other in coun! tless le tters. From this hitherto unknown archive, Stella Tillyard has constructed a group biography of privileged eighteenth-century women who, she shows, have much to tell us about our own time.

I must confess that initially I tried to skim this book. But it was far too good, and I ended up spending hours totally engrossed in the lives, loves, and letters of the Lennox sisters--Caroline, Emily, Louisa, and Sarah. Author Stella Tillyard gives a second life to these 18th-century aristocrats, whose extended family included some of the most significant and colorful British political figures of the era. She mixes impeccable research, a sharp eye for detail, and a writing style that's both precise and lively to produce a biography of a clan that doubles as a panoramic history of the aristocracy in the 1700s.

Each sister's defining characteristics shine through her letters, portraits, and Tillyard's terrific storytelling. Caroline, the eldest, is deeply pessimistic, intell! igent, and moral but fascinated by and attracted to "wickedness" (she eloped with the naughty-but-nice Henry Fox and lived happily ever after). Emily: beautiful, loving, dictatorial, and unbelievably fertile (22 children, 10 of whom survived into adulthood). Louisa was good, gentle, always unwilling to believe ill of anyone, and when she died, was mourned not only by family and friends, but also by the whole of the Irish town in which she lived. And Sarah--flighty, flirtatious Sarah, with whom the young King George III fell blushingly and tongue-tiedly in love. Who, after disgracing herself and her dull, uninterested husband with the moody younger brother of Lord Gordon (of Gordon riots fame), finally found happiness and respectability, in her late 30s, with an understanding soldier. Unmissable. --Lisa Gee, Amazon.co.uk This book provides an in-depth account of the process of transformation from the curfewed city of the Tang period to the open city of the Song. It a! nalyzes the multi-dimensional factors that gradually led to th! e develo pment of an urban culture which in turn helped cement the trend towards the open city in China with its irregular layout and distinct urban features.

The English aristocrat...

Blue-blooded millionaire Rafe Holden needed a wife, one who would agree to a loveless marriage. And he had a most suitable candidate in mind...

The wrong twin...

But she had an identical twin sister. Karyn aroused the kind of desire in Rafe that he'd been hoping to avoid....

Or the right bride?

Rafe was no stranger to making ruthless choices. So would he decide to risk more than a marriage in name only, and take Karyn as his arranged bride?

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Confessions of a Teenage Drama Queen

• From the studio that brought you the smash hits FREAKY FRIDAY and THE PRINCESS DIARIES, CONFESSIONS OF A TEENAGE DRAMA QUEEN stars Lindsay Lohan (FREAKY FRIDAY) in a hip and hilarious coming-of-age comedy for the whole family! When the always dramatic Lola (Lohan) and her family move from the center of everything in New York City to the center of a cultural wasteland in suburban New Jersey, she fe

From the studio that brought you the smash hits FREAKY FRIDAY and THE PRINCESS DIARIES, CONFESSIONS OF A TEENAGE DRAMA QUEEN stars Lindsay Lohan (FREAKY FRIDAY) in a hip and hilarious coming-of-age comedy for the whole family! When the always dramatic Lola (Lohan) and her family move from the center of everything in New York City to the center of a cultural wasteland in suburban New Jersey, she feels her life is simply not worth living! But no matter who or what gets in the way, Lola won't give up o! n her life's ambition: to be a star! In a crowd-pleasing movie treat bursting with music, dance, and excitement, Lola's fun-filled adventure won't be glamorous or easy, but it might just show her that real life could exceed even her wildest dreams!Tucked into the middle of Confessions of a Teenage Drama Queen is a charming sequence in which two girls from New Jersey (Linsay Lohan and Alison Pill) try to go to a rock concert in New York and have their illusions broken, then restored, and then broken, just a bit, again. Lola (Lohan) yearns for glory by playing the lead in the high school play and getting to meet the lead singer of a band called Sidarthur. Despite the spiteful efforts of a popular girl, Lola gets everything she wants without much of a struggle. Most of the movie takes place in a glitzy but flavorless high-school world with glossy teenagers dressed like a less discriminating Christina Aguilera. Pill (Pieces of April) shines in the thankless role o! f the geeky best friend. Also featuring Glenne Headley (Dic! k Tracy< /I>) and Carol Kane (Office Killer). --Bret Fetzer

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Elephant: A Film By Gus Van Sant

• Winner of the Palme d'Or and Best Director prizes at the 2003 Cannes Film Festival, Gus Van Sant's (Good Will Hunting, Finding Forrester) Elephant takes us inside an American high school on one, single ordinary day that very rapidly turns tragic. Elephant demonstrates that high school life is a complex landscape where the vitality and beauty of young lives can shift from light to darkness with sur

From the groundbreaking director of GOOD WILL HUNTING and FINDING FORRESTER, GERRY stars Academy Award(R) winner Matt Damon (Best Original Screenplay, GOOD WILL HUNTING, 1997; THE BOURNE IDENTITY, OCEAN'S ELEVEN) and Casey Affleck (OCEAN'S ELEVEN, SOUL SURVIVORS) in a suspenseful and highly provocative story of two men pushed to the limit! A pair of best friends (Affleck and Damon), who've nicknamed each other "Gerry," set out on a desert hike. But what begins as a simple daytime adventure turns int! o an intense life-and-death journey that will test the strength of human endurance and ultimately, their friendship! Written by Damon, Affleck, and Director Gus Van Sant, this uncommonly compelling and starkly visualized film is a must-see motion picture that has earned the overwhelming praise of critics nationwide!In Gerry, two young men (Matt Damon and Casey Affleck) wander beautiful, barren, and surreal landscapes, gradually growing more and more lost. This film from Gus Van Sant (director of Drugstore Cowboy, My Own Private Idaho, and Good Will Hunting) has no story, hardly any dialogue, and even less in the way of "action" or "events." Yet the movie is by turns maddening and hypnotic; although few people will agree on which are the maddening scenes and which are the hypnotic ones, you will leave Gerry with one or more stunning images in your head. In fact, Gerry is probably more pleasurable to remember than it is to sit throug! h. Committed performances, flashes of dark humor, and a smatte! ring of visual effects give the movie some shape, but the more you just surrender to the emptiness of the landscape, the more rewarding Gerry will be. --Bret FetzerFrom the groundbreaking director of Milk and Good Will Hunting, Gerry stars Matt Damon (The Adjustment Bureau) and Casey Affleck (Gone Baby Gone) in a suspenseful and highly provocative story of two men pushed to the limit.
A pair of best friends (Affleck and Damon), who've nicknamed each other "Gerry," set out on a desert hike. But what begins as a simple daytime adventure turns into an intense life-and-death journey that will test the strength of human endurance and ultimately their friendship. Written by Damon, Affleck and director Gus Van Sant, this uncommonly compelling and starkly visualized film has earned the overwhelming praise of critics nationwide.In Gerry, two young men (Matt Damon and Casey Affleck) wander beautiful, barren, and sur! real landscapes, gradually growing more and more lost. This film from Gus Van Sant (director of Drugstore Cowboy, My Own Private Idaho, and Good Will Hunting) has no story, hardly any dialogue, and even less in the way of "action" or "events." Yet the movie is by turns maddening and hypnotic; although few people will agree on which are the maddening scenes and which are the hypnotic ones, you will leave Gerry with one or more stunning images in your head. In fact, Gerry is probably more pleasurable to remember than it is to sit through. Committed performances, flashes of dark humor, and a smattering of visual effects give the movie some shape, but the more you just surrender to the emptiness of the landscape, the more rewarding Gerry will be. --Bret FetzerWinner of the Palme d'Or and Best Director prizes at the 2003 Cannes Film Festival, Gus Van Sant's (Good Will Hunting, Finding Forrester) Elephant takes us inside an Ameri! can high school on one, single ordinary day that very rapidly ! turns tr agic. Elephant demonstrates that high school life is a complex landscape where the vitality and beauty of young lives can shift from light to darkness with surreal speed. It's an ordinary high school day. Except that it's not.

DVD Features:
Featurette:On the Set of Elephant: "Rolling Through Time"
Full Screen Version
TV Spot:HBO Films Spot
Theatrical Trailer

Elephant, the elegant and unsettling movie from Gus Van Sant (My Own Private Idaho, Good Will Hunting), depicts students at a high school before and during a harrowing, Columbine-style shooting. The movie follows one young boy who takes over the wheel from his drunken dad while returning from lunch, then loops back in time and follows another student who crosses paths with the first, then loops back and follows another--all captured in long, unedited tracking shots that are serene and unhurried, even when two boys in camouflage gear, carrying h! eavy bags, arrive at the school and begin shooting. Elephant doesn't attempt to explain their behavior; it simply places the audience back in the brief yet interminable window of adolescence, when life is trivial and painfully important at the same time. Your reaction to Elephant will depend as much on your life experiences as anything in the movie itself. --Bret Fetzer

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